Verselove is a community celebration of poetry in April—an invitation to write, read, and reflect together. You’re welcome to write a poem a day or to come and go as you need. Reading and leaving a brief note—a line you loved, an image that stayed, a feeling a poem stirred—is also a meaningful way to participate. This is a generous, low-pressure space. We’re glad you’re here.
Our Host: Jessica Sherburn

Jessica lives in Chicago, Illinois where she teaches English at Mather High School. She is currently a teacher-consultant with the Chicago Area Writing Project. She has served as a Representative-at-Large within the Michigan Council of Teachers of English and a Teacher Advisory Group Member for the Zekelman Holocaust Memorial Center. In addition to writing poetry, Jessica enjoys hiking, kayaking, and penning sarcastic quips. She is a proud mother to two cats, Ollie and Davie, who enjoy long naps and knocking over mugs of black tea.
Inspiration
This winter, I was fortunate to see the Yoko Ono: Music of the Mind exhibit at the Museum of Contemporary Art in Chicago. I was particularly moved by excerpts from Grapefruit, in which she writes “instructions” for paintings and poetry. For example:
“Time Painting”
Make a painting in which the color
comes out only under a certain light
at a certain time of the day.
Make it a very short time.
“Closet Piece II”
Put one memory into one half of your head.
Shut it off and forget it.
Let the other half of the brain long for it.
Process
Verselove offers such a wonderful opportunity to write poetry throughout April. Some of us may have met our lofty goals; others may have fallen short of initial expectations. No matter which camp you fall into, give yourself grace. Then choose a pathway:
- Pathway 1: If you’ve written many poems (and are running out of steam)
- Choose 1-3 poems you’ve written, then write a list of “instructions” about your process. What did you hear, see, smell, taste, and feel as you wrote?
- Pathway 2: If you haven’t written as much as you’d hoped (and want a plan going forward)
- Brainstorm 1-3 topics you haven’t had a chance to write about yet, then make a list poem of “instructions” for how you will do so. What will you hear, see, smell, taste, and feel as you write?
- Pathway 3: If you want a challenge
- Write any “instruction” poem in Ono’s style.
Jessica’s Poem
Instructions for Two Poems to Write (in May)
by Jessica Sherburn
Poem 1 – Instructions for A Poem About Letting Go
Imagine a red balloon
filled with longing
floating upward toward
the sun.
Turn away just
before you can
see if it
pops.
Write a poem about
the peace that
accompanies not
knowing.
Poem 2 – Instructions for A Poem About Breathing
Place your right palm
on the swell of your belly,
the left on the
drum of your heart.
Close your eyes;
memorize the alternating
rhythm between
your hands.
Write a poem
In which the
meter matches
your body’s beat.
Your Turn
Now, scroll to the comment section below to write your own poem. (This is a public space, so you may choose to use only your first name or initials depending on your privacy preferences.) Not ready? That’s okay. Read the poems already posted for more inspiration. Ponder your own throughout the day. Return later. And, if the prompt does not work for you, that is fine. All writing is welcome. Just write something. Oh, and a note about drafting: Since we are writing in short bursts, we all understand (and even welcome) the typos and partial poems that remind us we are human and that writing is always becoming. If you’d like to invite other teachers to write with us, tell them to subscribe. Also, please be sure to respond to at least three writers.
Jessica, I wanted to write with beautiful metaphors like you. “A balloon filled with longing,” “drum of your heart”, but my mind drifted to yesterday’s prompt about distractions. i would love to try this idea with students to see what they would write.
Instructions for Turning a List into a Poem
Jessica, thank you for these compelling prompts, choices that spark such inspiration. The idea of writing poem instructions for poems to write in the future instantly grabbed me – akin to my making lists of lists I have to make, ha. Your balloon image of longing and the comfort of not knowing if it pops, for all its brevity, is starkly powerful. The breathing poem invites me to think of new life coming, noticing rhythms – a metaphor for poet and poem, even. Thank you for these gofts today.
I return to a favorite word and idea that is always in my mind. Will I ever get it written? We shall see,
Instructions for Sifting the Shards
Observe the pattern
of their scattering
don’t be afraid
to touch
the biggest pieces
with sharpest edges
expect the bloodflow
it will happen, but
hold them
to the light
or you will never see
the beauty
in the brokenness
the strange wholeness
of
a holiness long lost
yet
somehow reflecting
infinite iridescence
in the shattering
yes, hold up each shard
write the memories
the bone-deep slices
make your mosaic
and be free
Fran, you are a so skillful in metaphors. This is gorgeous and profound:
“hold them
to the light
or you will never see
the beauty
in the brokenness”
Your poem makes me think about a natural habit to shove the pain into the deepest corner. And you suggest to face it, bring forward, relive, and be free. Thank you for your words, wisdom, craft!
Oh, my goodness…talk about exploding a moment. This is beatiful…and the breakage that makes a mosaic. The visceral wounds and bleeding. Wow. Well done, Fran.
I love “beauty in the brokenness” and how broken glass can be a metaphor for how we can feel so shattered, yet God makes a mosaic of us, a beautiful complex mosaic.
Jessica, thank you so much for hosting us today. What an exciting adventure you had seeing the Ono exhibit! Your poems are uplifting, and your prompt brings to mind Mary Oliver’s Instructions on How to Live a Life, Ada Limon’s Instructions on Not Giving Up, and Joy Sullivan’s Instructions for Traveling West. So many of the greats pick up pens to write directions, just as you have done today and inspired us to do! Wouldn’t it be fun to have a whole book on instruction poems?
How To Enter The Next Chapter
get a library
card ~ reserve your books online
check out locally
Kim, yes, just get a library card. I picked up a little pile of books for the Summer Institute yesterday–feels like a huge free gift. 🥰
Oh, and I love your title!
Kim,
March and April have taken a toll on my reading life what w/ the SOLSC and EELA poetry and travel and my firm conviction that we are in conversation in these spaces, and it is selfish, rude, and narcissistic to post w/ out reciprocal commenting, so I am looking forward to returning to books and updating my holds and checking out locally. Thank you for reminding me to check my Libby notifications. Just don’t recommend any poetry books for a while as I try to catch up!
Kim, I can read this a number of ways – practical advice to the reader, saving money with a library card vs. purchasing books, and metaphor, especially “check out locally.” I think of the reserves of energy we must tap into to write, and checking out of our immediate surroundings to concentrate on craft. You always make me think. 🙂
P.S. Kim, I forgot to say that I went back to comment on your poem yesterday. I have learned to go back and check myself, or I’d miss reading late comments that mean so much. My granddaughters are keeping me busy in the evenings now that they’re playing ball – Franna is there for it, Fresca in hand, coming back to poetry later than my tired self would like, but that my poet-soul still needs.
Yes! Do all the things. Libraries and librarians love being relevant.
A wonderful anthology idea! Poems of Instructions. I need to be better about checking out books from the library. I rarely check out. My husband is better about it than me.
How to Engineer a ChatGPT Prompt for an A++ Essay
Step 1) Don’t.
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Thank you, Jessica, for your prompt and mentor poems today! I love the “turns” in each of your poems: the assurance that “letting go” brings “peace” in the “not / knowing” and the invitation to listen to our “body’s beat.” Vital instructions, both!
Ha! Oh, my gosh this made me giggle way too early in the morning. Well played.
Scott, the great Chekhov used to say”Brevity is a sister of talent.” You are! Love your instruction – crystal clear ))
Scott,
Oart 2: What role does AI have in writing instruction? Answer: None
Keep heading donne the Never AI path. I’m walking beside you.
Hilarious, Scott! Bam!
This is a great example of letting a title carry the weight of a poem!
Jessica, I think I went in an offshoot direction here and then borrowed one of your cats at the end of the poem.
Kevin
Don’t bother
with the rhyme –
there’s no time
to worry about
such a flurry of words –
Maybe you heard;
a poem is a container,
an anchor, an odd stranger
to which we imbue
a sense of mission
And if you lean in and listen,
it will write itself:
a cat spilling tea
from the highest shelf
Oh, that cat spilling tea is the best way to end this poem…yes. I will wipe up the mess for a good poem.
Kevin, I read and smile:
“Don’t bother
with the rhyme –
there’s no time”
The rhyme is here )))
I do agree that “if you lean in and listen,
it will write itself.”
They so often do write themselves…if we hold on a bit more loosely and let the poem take the reins…
“A cat spilling tea from the highest shelf” is a surprise ending. Irene Latham spoke about surprise endings in her webinar yesterday. This is a great example!
Jessica, this prompt is brilliant! I’ve been frustrated with not keeping up this month.
Instructions for an Imperfect Period of Writing
First, forgive yourself…you
have a day job.
Then, think of an artist…Any
artist will do. Ask,
did they produce daily masterpieces?
No. Not one.
Next, place your right hand
over your heart, beating
inside your chest. Ask your own pulsing
heart…What today?
Begin. Repeat
as necessary.
Linda, yes, we need to learn self-forgiveness. Love this advice: “Ask your own pulsing
heart…What today?”
Linda, that first line. A thousand times yes. Plus that second line! How concisely you capture the artist/poet’s heart, that great and wild pull to create something meaningful, beautiful, lasting, and the constraints. A good dose of reality and a valuable reminder to persevere.
This poem should go into the anthology that Kim suggested. “Ask your own pulsing heart…What today?” Is how I feel every day of Verselove. It’s the beatings of our collective hearts.