Verselove is a community celebration of poetry in April—an invitation to write, read, and reflect together. You’re welcome to write a poem a day or to come and go as you need. Reading and leaving a brief note—a line you loved, an image that stayed, a feeling a poem stirred—is also a meaningful way to participate. This is a generous, low-pressure space. We’re glad you’re here.
Our Host: Denise Krebs

Denise Krebs lives in Yucca Valley, California, near Joshua Tree National Park. She is busy learning to write habeas corpus petitions and briefs to help immigrant neighbors, campaigning for a new congress person, and stocking the shelves of the best Friends of the Library bookshop in our area. Denise is a retired elementary and TESOL teacher. Her most hopeful and joyful experiences are being with her two grandsons. Being here in April is another experience of hope and joy. She blogs at Dare to Care.
Inspiration
Last year during Verselove, I shared a borrowed rhymes prompt, where we used the last words of another poet. This year, we will incorporate the first words of another poet into our own poems.
When I wrote this prompt, I had been inspired by one of the featured poets at Poetry Foundation– Angela Jackson, a Chicago poet, playwright, and novelist. If you haven’t met Ms. Jackson through her poems, I encourage you to spend some time with her today. Try some of my favorites: Q&A, Epiphany, and Angel. More of Jackson’s poems here.
Process
Choose a poem and write the first word of each line in a column down the side of your page. You can use the first words of a whole poem or just a stanza. You can use one of Jackson’s or choose another poem or stanza from someone else you are reading. Write a free verse poem letting the other poet’s words carry you. You might find that being held to one simple constraint, like having the first word in each line determined, can release more freedom in your poetry. Give it a try.
Denise’s Poem
With first words from “Caregiving” by Angela Jackson
The Day After We Bombed Iran
Before the moon came out
I looked up, lost in thought,
not joyful thinking (the kind
twice as big as my woes).
I was deep in mournful-thinking–
Winding up B-52 bombers.
Jump roping girls in Iran, now dead.
Hauling ass through Juffair, as bombs
stomped the feeling of safety
for people across oceans.
Then the moon appeared
and it was almost full of
rumble in the heavens. A
ride into torture and
then tumbling
down into despair.
And yet,
there are the helpers–
sitting in the mess, serving,
like freedom arriving to
head off the storm.
Wistful and triumphant.
I will not give up hope.
Your Turn
Now, scroll to the comment section below to write your own poem. (This is a public space, so you may choose to use only your first name or initials depending on your privacy preferences.) Not ready? That’s okay. Read the poems already posted for more inspiration. Ponder your own throughout the day. Return later. And, if the prompt does not work for you, that is fine. All writing is welcome. Just write something. Oh, and a note about drafting: Since we are writing in short bursts, we all understand (and even welcome) the typos and partial poems that remind us we are human and that writing is always becoming. If you’d like to invite other teachers to write with us, tell them to subscribe. Also, please be sure to respond to at least three writers.
Verselove Day 23: First Words
Modeled after Angela Jackson’s “Epiphany”
Written for April 23, 2026
Written on April 28, 2026
By Tracei Willis
I’ve been changed.
I’ve been drained.
I’ve been brought low.
I’ve been raised on high.
I’ve been named with the righteous; the unrighteous, too.
I’ve studied sinners.
I’ve lingered way too long on people, places, and things that mattered not.
I’ve likened myself to an elephant, a woman who lifts up her sisters.
I’ve been cast out.
I’ve been disfellowshipped.
I’ve been without family, without folks to call my own.
I’ve been reinstated, but
I’ve already found peace within.
I am in the light.
How can it be so clear?
Tracei, this is beautiful. I’m so glad I came back and found that you wrote later on this prompt. Love the form you created after Jackson’s “Epiphany”. I might try to write one too. Your lines are so interesting, and make questions come to the reader, and yet you go on and tell more of what you’ve been without fanfare or excuse. Just your authentic self. One of my favorites is: “I’ve likened myself to an elephant, a woman who lifts up her sisters.”
Denise, my poem was inspired by the problematic protestors that my students encountered outside Disneyland as they entered…and also by Disney, itself. Visiting was a surreal experience. We are in L.A. competing in the USAD Competition. My line is from a line from Todd Dillard’s “Arts and Crafts with the Addict’s Son.”
Entering Disney
As a denizen of
the Earth, I pronounce you
complicated, Disney: coyote
of the amusement world, ravening
becomes you.
Your name is mud,
apparently, for
the End Times protestors, signs like zinnias,
waving in the wind at the gates, so
positive that we patrons can be
“pornography addicts.” These are their words
to my McDonald’s-loving students as they enter, our names
receipts in Hell’s accounts ledger.
Become better, they seem to want to say, but at
a loss for how to convey this, they appear
howling at the moon. And so, we enter,
greased and greasing the palms of ticket takers, blowing like
napkins, soiled, through this,
a(n) apparent gateway to hell: a
banquet on which we will feed and which feeds on us. Who will tell these children
of God that the
clouds, pink, that seem to color this day are
crusted and scabbed with
daubs of sin?
Of cankers covered in
glitter? And Uncle Walt,
glue that held this all together, wishing that
every child would love this, every parent would pay, every angel would fall under one
guiding
star?
Wow, Wendy, what an experience you had at Disney. (I hope the competition went well earlier in the week. I haven’t kept up–maybe you shared already.) You have captured the protest and the complicated feelings with a poem, which will live on and help you remember. This is so amazing, describing the bright facade and the darker underbelly.
Really powerful poem. I’m glad you took the time to record it.
Denise,
Thank you for this amazing prompt which I intend to use again and again. I like the way you used the moon as a motif in your poem. Your first line “Before the moon came out” could not help me thinking that as Artemis II was hurtling closer to the moon, here on earth the missiles were raining indiscriminately, wreaking havoc and killing innocent children.
The first words for my writing is from William Carlos Williams’ This is Just to Say.
I read despair on your face
the sparkle in your eyes – extinguished
the hope in your heart – vanished
the will to succeed – vanquished
and dreams you had a thousand
you thought you could love this world like no other has
saving your tears, not of sorrow, but of joy
for each milestone in your daughter’s journey
forgive when the wound is raw, not easy
they thought this war necessary
so you plod on among the ruins
and wait
The despair and lose of hope is palpable in your poem. Your last stanza —
“forgive when the wound is raw, not easy
they thought this war necessary
so you plod on among the ruins
and wait” — really powerful and heartbreaking.
This is a devastating poem. Your first stanza puts aspirations in stark contrast to reality when war is thrust upon a society. When the dust settles it’s really all about the people who are affected.
This was so sad and lovely. Loved the syntax in your first stanza. Those dashes held a lot of emotion within them.
Kris, wow, what a powerful, devastating poem. Without saying everything explicitly, you have put a face on war and the loss and tragedies that real people experience. Wow. And the plodding through the ruins, waiting at the end. Questions and worries and insecurities still linger even with the despair, extinguished sparkle, vanished hope, vanquished will. So, so good.
Denise,
Thank you for your prompt.Your poem is gut-wrenching”Jump roping girls in Iran, now dead” but also shows the goodness in humanity and hope “And yet,/there are the helpers–/sitting in the mess, serving…”
I am currently reading The Lion Women of Tehran for my book club which has been enlightening and gave me a bit of a brush up on my history.
I used the first line from “Kindness” by Noami Shihab Nye —“Before you know what kindness really is you must lose things.”
Before and After
Before the cudgel of fear
You and I rolled grape leaves together, fingers slick with oil and lemon
Knowing we would sit beside each other.
What worlds we lived in, now only time stamps.
Kindness braided our hair, kissed our cheeks.
Really, we knew of the world’s anger, nothing of it’s hate.
Is love still within reach?
You ask,
Must we burn it to ashes,
Lose ourselves, our humanity to discover the
Things that truly matter?
I like this poem in that is shows the innocence of young friends together. What a question you ask in your last stanza. Let’s hope we can find love without burning it or losing it.
.Tammi,You’ve drafted an evocative poem based on an equally provocative quotation. Unfortunately both seem to be true today!
Tammi, I loved this. The rhetorical questions in the last stanza were terrific: so powerful.
Tammi, beautiful poem. I can see the friends in The Lion Women of Tehran here in your poem. This: “Kindness braided our hair, kissed our cheeks.” How lovely! The second stanza asks important questions about life and forgiveness.
Tammi,
The affectionate gestures of personified kindness tugged my heart. They reminded me that small acts of kindness are what we need to keep anger and hate at bay.
Tammi, the love and care of the before made my heart happy. I didn’t want to get to the after because I knew it would hurt. Well done!
Thank you Denise for your poem and introducing Angela Jackson’s poems. My first words are from her poem “On the Commuter Train”. I managed to add a line at the end.
School Days
Early hazy mornings, we rise
and shine, ready for the giving
To face the day, each of us, one and all
Their roles, our roles, taking chances
and more, balancing each move
On a normal day, we juggle
and maintain the calm we bring from
bedrooms to classrooms each and everyday
They come, ready to soak it all in
With the days rolling
to the holidays, we seek…
Until that pause we’ve earned.
Juliette, you capture the rhythms of teaching so well in this poem. I love the verbs that you chose–“balance”, “juggle”, and “maintain” describing the classroom and our lives as we transition in and out of the classroom.
Juliette, your poem is crafted so perfectly that any “first words” seem undetectable. I love many phrases by my favorite is “ready for the giving.” That is what the profession is about – or should be about. And that pause is most definitely earned!! Thank you for this amazing offering today.
Your poem has a lovely rhythm, Juliette. I really like the all encompassing nature of “their roles, our roles.” I love that you’ve included taking chances, which is what we all do.
Juliette,
You’ve truly captured the life of an educator “taking chances and more, balancing each move.” Can’t wait “until that pause”!
Juliette, we love the holidays. Of course we do. Your enthusiasm, your calmness, and your expertise in juggling the various roles – I can feel it all in your poem.
Juliette, agree with Dave: this had great flow! And that last line by itself was super powerful.
Juliette, lovely poem about the give and take of students and teachers on school days. I feel like in that ending you are beginning to look forward to summer break. I hope the rest of the year goes well.
The first line from “Harold Chicken Shack #1” by Nate Marshall is
1st defense against food deserts.
1st comes the stomach, even before the heart or the brain.
defense against starvation. I guess the taste buds are involved, too. But are they
against you, and not for you?
food that tastes good is bad. Bad is often good.
deserts of desserts. Sabotaging my health. It’s hard to stay the course.
Luke, the struggle is real. “food that tastes good is bad. Bad is often good.” It is. And it is hard to stay the course.
Luke, deserts and humans are timeless rivals )) The idea that taste buds are against us is thought provoking. Now you make me think and ask other questions. Is it your teacher trick? )) Thank you!
Luke, do you have a spy cam in my house? My husband and I have been eating so healthy lately. Tonight he arrives from out of town and I texted him that I was going to Door Dash something unhealthy. I couldn’t help it! At least you get me.
Luke —
“But are they/against you, and not for you?’ — Great question. I think we can probably blame it all on the taste buds!
Luke, I like how you took that line from Nate Marshall and went another direction. I like “deserts of desserts. Sabotaging my health.” I can relate!
So I wanted to get back to writing today after a very busy week in a half. This is a quick draft. To pick a poem, I just opened a book of my favorites and used what was there. The poem I selected is Compassion by Tanner Olsen.
You saw my crumpled face.
Next your arms enveloped me
With squeezes of love, understanding, support
For minute, after minute, after minute
And the anxiety started to crumple
And my breathing fell in sync with yours
Next my muscles let go of their tenseness
with your presence feeding mine
For minute, after minute, after minute.
As one who has battled anxiety, I am so touched by this poem, especially the repeating
This poem is so comforting. These lines resonated with me.
“Next your arms enveloped me
With squeezes of love, understanding, support”
Your poem makes me feel like I’m in yoga class, which is where I love to be. I could feel my muscles relax as I read.
I can feel the anxiety ebbing away “with squeezes of love, understanding, support.” Touch can be so powerful. Your poem captures the act of compassion so beautifully.
.CM, the line that struck me is the one that seems to epitomize empathy
AND MY BREATHING FELL IN SYCH WITH. YOURS
that shows so well the powerful l impact of love … if just for a few minutes!!
I find your poem soothing. The repetition is clever and very effective.
Oh I love this. We are a house full of anxious people and pets! Two of our dogs have high anxiety’s too! But having that person, that comfort. It just means so much. Thank you expressing it so beautifully. So poetically.
Oh, Cathy, I’m so glad you are back here writing. This was a good choice. The “you” in this poem is someone very special. The line “For minute, after minute, after minute” is so profound, and then to have it repeated at the end. It just shows for me the power of walking beside someone in need, and doing it persistently. Beautiful!
After some unsuccessful tries with words from different poems, I finally settled on using some starting words from a paragraph in my writer’s notebook from back in March. The bolded words are my lifted words.
Every day millions are
enjoying life while every minute, somewhere,
tragedy is unfolding. A son deported, a bomb exploding, a father dying.
And we do not stop to mourn these
families. The sun still rises, the work still waits, the dinner still simmers, and the Earth does not
stop its rotation. One person’s tragic moment is someone else’s brushing of teeth.
Cheri, holy smokes, this one sizzles! Such truth in the world not stopping, the moments just as benign as toothbrushing while for others the universe comes to a screeching halt with grief and turmoil. This is powerful.
Precise and powerful poem. The words you selected really transforms the every day.
Love the last line!
Cheri, this one is a strong reminder to county your blessings even as you brush your teeth! Yes, the tragedies are “unfolding” everywhere with threats on health and well being almost becoming somewhat routine and yet they are not. This post reminds me of walking out of the hospital after a loss of a loved one and realizing people were still coming home from work and stopping at Burger King. Powerful reminder
Cheri, I am in awe of your gift to create this gut punching poem full of raw truth. We never allow people a real opportunity to grieve. Life goes on kind of world wear brushing one’s teeth outweighs compassion and empathy. I really appreciated the naming of tragedies. Powerful poem!
Wow. That last line. A punch to the gut!
Well those unsuccessful tries led you to produce a powerful poem. Your last line rings with brutal honesty.
Cheri, this is a very touching poem. I see connections with Denise’s. I also like the idea of using starting words from a paragraph. This is a lesson I can teach to my third graders, thank you.
Cheri,
Wow! Heartwrenching truth. This line –“Earth does not/stop its rotation”
reminds me how important it is to take time to care for others and the world too.
Cheri, wow, so much truth here. Sizzling, yes, as Kim said. The specific tragedies you mentioned in line three, so heartbreaking. And the Earth keeps moving, and someone brushes their teeth. What a simple way to express something so profound. I’m glad you found inspiration in your own writer’s notebook. Bravo.
Denise, I had every intention of following your prompt today, but I didn’t pay close attention and wound up writing a Golden Hinge instead. Oh well! I took the first line of James Wright’s poem Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota to come up with this Golden Hinge poem.
Heavenly
By Mo Daley 4/23/26
Over and over again
my eyes are drawn skyward. “Your head is in the clouds again!” They don’t know
I want to be there, to
see the unearthly miracles, not
the manmade statues of
bronze, but the otherworldly
butterfly in flight
I really like this! I love the reference to an otherworldly butterfly in flight. Nature holds so much beauty and wonder. Your poem takes me there.
Mo, I too want to be in the clouds every day of late. You comments of “manmade statues of bronze” is woven seamlessly into this poem.
Mo,
This is heavenly and otherworldly. Love the imagery and metaphor, it works so well.
…the butterflies in flight…yes!
Mo, yes to “the unearthly miracles, not the manmade statues of bronze”- that’s my wish too.
Mo, I love that you were looking heavenly, instead of at “the manmade statues of bronze” I love the description of the butterflies “otherworldly.” It reminds me of the true art of nature.
Mo, if only more people could inhabit this world of natural beauty! The juxtaposition of manmade statues and butterfly in flight contrasts a world of hideous stasis and a fluid realm of infinite possibilities. I don’t blame you for preferring the latter.
Denise,
Wow! You live near the Joshua Tree National Park — that’s incredible. It is one of the places I hope to visit in the near future. I am so awed by your bio, wonderful poetry and prompts. Your poem is giving me goosebumps. The imagery and conciseness is so sharp and visceral. Thanks for writing and doing such important community advocacy.
I decided to try my hand at the same poem borrowing inspiration from Angela Jackson’s Caregiving. This was a bit of a challenge today, hope it makes sense.
My Girl
Before you know love
I say learn grace
not for any specific reason but to be gentle
twice a day — practice grace
I suggest relinquishing all that’s unwanted
wind up old mishaps
jump up for joy every chance you get
haul out the impossible
stomp out doubts and reach
for the poetic pauses
then compose and curate
and wonder about existence
rumble and grumble
ride and tide
then declaring how to live without going
down a rabbit hole
And yet
There is an awakening
Sitting by your side
Like its been there
Head to toe
Wistful smile
I learn to trust a nudge
I found your poem unpredictable. And I think that’s a good thing. I loved that “there is an awakening/sitting by your side/like it’s been there…” this sentiment seems very deep to me.
Darshna, I am in love with all the narrator wants to teach her girl. Could there be anything more wonderful than receiving grace? All the actions are beautiful and shows the gift a loving mother can impart to a child. Truly gorgeous poem!
Beautiful! Trust the nudge. Soft and loving…
Darshna, these are the lines I needed today:
“haul out the impossible
stomp out doubts and reach
for the poetic pauses”
We need more poetic pauses. Thank you for that!
Darshna, tell me when you come this way! We’d love to show you around. I’m so glad you took the same poem I did. Wouldn’t that be interesting if we all used the same words? Dozens of different stories and poems. These are interesting words in Jackson’s “Caregiving,” and I delighted seeing them again. The tone of your poem is grace-filled, and as Barb said, “Could there be anything more wonderful than receiving grace?” I have read your poem several times. It took me a couple times before I noticed the title. “My Girl” — the next reading made it all the more special “Sitting by your side” Definitely, “[You] learn to trust a nudge” being around her
Denise,
Thank you for this prompt today. And thank you for bearing witness to a feeling that I am mired in too. And I will not give up hope either.
I took first lines from Sean Avery Medlin’s poem explorer’s pack taken from his collection 808s & Otherworlds.
Not Today
Inna couple generations, when they’re
reusing the waste that we’ve left them,
& when boys won’t be immersed in the manosphere–
not practicing empathy,
embracing ignorance and avarice as ‘based’…
Teachers will speak and listen without the dulling interference of laptops
bootstrap boodogling will be debunked,
currency will be valued in what we can share, not what we can withhold,
No Body will starve or suffer while we collectively look away;
Plant seeds today.
Fascist foundations need active erosion,
surviving is a verb passed down through generations,
gender constructs say more about the collective
than the individual,
In a just future who you are
is who you are and
noone says different.
A country, like a garden, withers in monoculture,
while we fight for kernels, we could share an abundance,
each of us has gifts to share.
I am not called to hatred, to counting an “us” and a “them”,
neither side of a divided body survives, besides
they are just us imagined otherwise,
We’re in need of each other and running out of time.
I felt this line keenly:
though there is much to love in this poem. I hope for the future you describe.
Dave,
There is so much to unpack in your poem.. I am really appreciative of your attention to specific details, imagery, and active voice. The last line needs to be highlighted on repeat.
Your poem speaks to the urgency and it is so hard to believe all that’s unfolding in any single day.
Dave, you’ve crafted so many cool lines here! My favorites are “surviving is a verb passed down through generations” and “In a just future who you are / is who you are and / noone says different.” (And I love the spacing of that line which adds a much needed emphasis to it!)
So many great lines, but these:
A country, like a garden, withers in monoculture,
while we fight for kernels, we could share an abundance,
absolutely!
Dave, what a credo for the 21st century, “inna couple generations” or however long it takes for “a just future.” I appreciated reading “explorer’s pack” too. Some of my favorite phrases are:
“A country, like a garden, withers in monoculture”
“neither side of a divided body survives” and this gem: “We’re in need of each other and running out of time.” Thank you for bringing the fire tonight.
Hi Denise,
Thank you for hosting.
Thank you for bearing witness to the war, to the helpers, and holding hope.
———————————————————
for my peace
unclear the cause
reasons might be found
—————————————————
My first words are from Wislawa Szymborska’s “Plato, Or Why”
Sharon, hope you find comfort and peace even when reasons aren’t clearly in sight. Take care of yourself.
Unclear the cause is such a powerful line, Sharon. And the passivity in “Reasons might be found” makes me think there are external factors at play.
Sharon, your poem is giving me thoughts tonight. I like the vagueness of “reasons might be found” I hope all is well for your peace.
Denise, I read the prompt in the wee-hours of the morning and didn’t get to it until after budget meetings with the grant office (ugh. accountant, I’m not..). Loved Loved Loved this prompt, as I often need a kick in the butt to try something new. I borrowed words from Ruth Stone’s Shapes, as a nod of appreciation for her influence on me. Your model is powerful…the girls jumping rope…almost full of rumble. Phew. It’s hard, at times, make sense of what we should be, and what we actually are.
It’s the Thought That Counts
b.r.crandall
In other news, it’s National Bryan Day.
However, I don’t expect much. Just dinner,
so you might want to think about where
you will take me. I don’t like olives or celery, but
of course I love bourbon in all forms. Will you stop
by to pick me up? I’m already showered,
as I anticipated someone would want to
head over for this day of ME. You just need to
step out, grab your wallet, & drive to 332 Mt. Pleasant..
LIKE NOW. Stop reading this poem & get your keys
or you won’t make it to Stratford upon-the-sound
by a decent hour. George Washington is
a motorized monster at this time & I-95 will likely be
in red from Greenwich to Bridgeport until 7 p.m.
Even if you leave now…oh forget it. Just forget it. Look
at the time. I’ll celebrate myself without you.
Oh, you made me laugh! This is fabulous…such personality. I love “oh forget it. Just forget it.” The consistent monologue/dialogue is awesome.
I vote yes for your own special day! You are a hoot! And I’m glad you celebrate yourself regardless of anyone making it there on time.
💜
You didn’t tell me it was BRYAN DAY! I would’ve definitely had that on my calendar and I would’ve even brought over a carousel cake! This is a lot of fun and you absolutely should celebrate yourself, until we can all join in on the celebration.
Bryan,
This is too much fun!! The opening line is so fitting.. and the rest becomes breaking news. Make sure to celebrate!
Oh, gosh, I’m feeling that I-95 in red! Though it does make me want to make the long drive to pick you up and take you out. I don’t like olives or celery either, and you can have an extra bourbon because I don’t want mine. Where shall we go? And in all seriousness, the next time I’m in CT, I’m looking you up.
This was delightfully entertaining and made feel like we’re already friends! This sounds like something I’d write. Inviting my friends to celebrate me. But all America celebrates me as my day of birth is July 4!
I’m over here laughing myself silly, loving every line of this fun poem. National Bryan Day, to celebrate you! Every day is a day to celebrate you!
Sounds good! Leaving now….only about a 9 hour and 57 min drive….oh, wait, sorry, Google Maps tells me there are tolls…”forget it. Just forget it.” This is so good, Bryan, so much fun! But what is this about olives? Who doesn’t like olives?!
Bryan, your poem is so full of attitude and pulls the reader right into the narrator’s desire to be dined and “bourboned” so to speak. I enjoyed the shift in tone revealing the traffic and place details. I love a poem that has a story and sass which yours is full of. I need to check your poet out because if she can influence a poem like this, then I need to read her work. Thanks for the smile!
And you gave us so many hints!!! I giggled throughout. Happy Bryan Day!
Happy Bryan Day! I hope you celebrated you in a big way. Honestly, this day should be on the national calendar of days, so we can all gather to read and reread your poems aloud while drinking bourbon (I’ll wear my big wide-brimmed hat for the occasion, kinda Derby-ish). Honestly, this is a jewel of a poem. Made me laugh after a long and exhausting day. Thank you!
National Bryan Day it is! Congratulations! If you announced it earlier. I’d send you my special of the day–no olives or celery, well, no bourbon, to be honest, but some homemade pomegranate wine ))
Bryan, happy National Bryan Day! (I just had to look it up and I found that indeed, it really is National Bryan Day. What in the heck?) Oh, the details of how to help you celebrate are so specific and fun (olives or celery, bourbon in all forms, the traffic on the I-95, etc.) it made me smile throughout. Then the “oh forget it…I’ll celebrate myself without you.”
Oh, I had such high hopes for this . . . sigh.
In the world outside my window, the wind is blowing and clouds are gathering
Just when I was hoping that maybe the storms wouldn’t really happen. It’s
-spring in Iowa,
when there’s a frost warning one day and a heat advisory the next
the worst part is knowing thunder-phobic doggie boy will want the basement, because the
world outside our house is too scary when there are storms.
is anybody else anticipating how to finish dinner before storms hit?
mud- it will be everywhere tomorrow morning, but at least the grass looks
luscious. Well, except for mine.
Oh wow…sounds like Spring in Colorado. And I have three thunder-phobic doggie boys…poor things! This is a tough time of year for them.
Sheila,
This weather can be so mercurial and you’ve done an incredible job capturing it all in your poem. There’s tons of action and anticipation. I do hope the storms calm down …
Here in central Kansas we are not supposed to get storms tonight til late. But Saturday they are predicted for afternoon/evening. And at least one dog will be getting some anti-anxiety meds!
I can relate here in Northwest Indiana to that weather change. I think we had a near 60 degree swing in 12 hours a few weeks ago. All of my neighbors on my street have well grooomed yards (mostly retired people that love to garden. And my house is like The Burbs with patchy clumps of no grass at all.
Sheila, the weather extremes are annoying. We had to switch to teaching remotely today because the entire campus lost power during last night’s storm. Feel sorry for your doggy. Our cat is terrified of thunder.
So fun, Sheila, I so love this! I remember that spring weather in Iowa. frost warnings and heat advisories in two days–not that much of an exaggeration. “thunder-phobic doggie boy” made me laugh aloud! Then the mud and the luscious grass, except for yours. The deprecating tone is really funny here.
First words from John Milton’s “When I Consider How My Light Is Spent”
Christ is My Redeemer
When I consider who I was
Ere lost in my own world
And survey the utter darkness
Lodged by my owned mind
To be held captive by
My own heart’s desires.
Doth anyone see my folly?
I am wretched
That no man should save me
Either now or ever.
Bear my burdens, He did
Is not His righteousness my own?
And wretched
They shall see no longer
Christ is my Redeemer.
Your poem carries a strong sense of devotion, and the elevated diction and cadence nicely echo a Miltonic style.
Yes, like Leilya said, I felt the tone of Milton in your poem. Your devotion comes through in your poem. This is a beautiful thought: “Is not His righteousness my own?”
First words from Gwendolynn Brooks’ “Truth”
And so we tend to our gardens
How much compost do we need?
Shall we move this plant here?
Shall we clear the back corner?
After we spread the mulch, let’s
Session about planting more flowers
Though we’ll have to weed first
Though we may need to water more
All this work outside is
What form resistance takes some days, to
Hear the earth, and hear less
Of
Hard hateful horrors
———-
Thank you for this fascinating prompt, Denise! I want to try this with other poems I love.
Maureen, we are writing side by side again today. I love the Brooks’ poem you chose for your creation. Your took me to my happy place with the first line–yes, let’s tend to our gardens! also yes to this:
“Hear the earth, and hear less
Of
Hard hateful horrors “
Such a needed message! Thank you.
Ooh, this is lovely, Maureen! I’m right there with you: more hearing the earth, less hearing “hard hateful horrors.”
I really love this Maureen! The shift the poem makes from just gardening to the WHY behind the gardening is really wonderful. It’s great to have things like this in our lives to take our minds off of other realities in the world.
Oh my, Maureen, I wasn’t expecting that end. Yes, growing a garden is far superior than witnessing horror. Really love the impact of your last line and the alliteration of hard, hateful, horrors. Sometimes doing something we love and can care for is the only way we can keep on keeping on.
Gorgeous! I love the act of listening to the earth especially during these awful times.
Maureen,
I love gardening but I hear you.. so many wonderful lines and questions. Gotta love a gardener’s inner monologue?
Of
Hard hateful horrors
The last stanza works so well!
Mareen,
Love the questions and “shall we”s which give a lovely sense of collaboration.
And that last line:
Yes, Maureen! I love the detailed matter-of-factness of the first stanza and then the gradual transition to the reason for the gardening in the second. Let’s do tend the gardens in resistance. I love so much your conclusion, “Hear the earth, and hear less of hard hateful horrors.” Thank you.
Maureen, this is such a quietly powerful poem. When I read this I can’t help but think about the concept and philosophy of stewardship and the choices inherent in taking on that responsibility.
There are so many decisions implied in your questions and so many possibilities that are implied in your second stanza.
Denise, thank you for your prompt today, for bringing up Angela Jackson’s poetry, for crafting yours with dedication, passion, and persistent hope. I wanted to hold onto this hope and the work of the helpers; together we can change things in small acts.
I used this line from Mules and Women by Angela Jackson: “The one who slips the harness of the horror stands alive as earth” to write this poem.
The Unbroken Spirit of Together
The first rays of sunlight promise a new day.
One shared breath reminds us no power can separate us.
Who among us does not long for a world shaped by care?
Slips of doubt may come, but we reach, not retreat.
The truth remains: people hold more strength than fear.
Harness that strength, not to tighten reins but to loosen them,
Of every dream we carry, the brightest are shared.
The gathered voices become a force of renewal.
Horror loosens its grip when we refuse to turn away.
Stands the unbroken spirit of community in hard hours.
Alive in each act of kindness, each shared burden.
As long as we remember, we are threads, not fragments,
Earth turns beneath us, patient and enduring.
This is such a powerful image, “Stands the unbroken spirit of community in hard hours.” …and throughout it all the earth turns…love that
I love this so much, Leilya! My favorite lines are “Slips of doubt may come, but we reach, not retreat” and “Horror loosens its grip when we refuse to turn away.” Gentle and powerful.
Leilya, your poem today carries a striking chord of resilience and power. The patient, enduring Earth is wonderful landing place that reflects our need as a global community to become whole and united. Love the image of a shared dream being the brightest. Your words today are compelling and deeply wise and moving!
Leilya, I enjoyed the first line of you poem so much. “The first rays of sunlight promise a new day,” is a golden line from this piece. It is interesting to me that this piece of poetry begins with the sunrise of hope, and ends with the reality of earth turning– “Time”– as a call for patience. Thank you for this!
Leilya,
Beautiful poem and these lines give us what we need to keep close:
Leilya,
Such a powerful message of strength and resilience. Your poem offers hope with so much kindness and care.
Leilya, your boldened words as well as your poem create a “thread” of hope that we share. I too am trying to be empowered by the many “reaching” for a better future.
This line speaks to me—As long as we remember, we are threads, not fragments,
it is so easy to see that we are part of the whole…
This whole poem is great, Leilya, I really love the last few lines especially. So strong and empowering
Leilya, so many favorite lines here today, but this one stays with me: Harness that strength, not to tighten reins but to loosen them. It makes me think of letting something go so that it can come back of its own will – – much like standing together in the spirit of unity as I sense so strongly here in your poem.
“The Unbroken Spirit of Together” reads like a promise, a declaration of hope and strength. My favorite line is “Harness that strength, not to tighten reins but to loosen them,” I like that message, and it caused me to stop and consider.
Frame of Time
the sun shines daily on
American soil rich with
malted barley and wheat that a
maker uses to feed his cattle
every one of them never
off by an hour except the one that hit a
fender and left
the blood on the
post’s wooden frame
itself a reminder that cows should have
room to (re)move
still with freedom to roam and avoid
the accident which
is to occur
in a short
frame of time
when there is no one watching
from “A Room of Its Own” by Kate Colby
Oh my goodness! How I am amazed how taking the first word of each line can motivate me to write this poem! Thanks for this idea and prompt, Denise.
Susan, I feel as though I’ve just read a Williams Stafford poem. I love the clear details of the American soil and the pour cow getting hit. The “Frame of Time” is a fresh and inviting title. I can see the whole issue, the blood on the frame, the dented fender, etc. Exquisitely crafted poem!
That switch in tone, with “except the one that hit …” was so unexpected, I am absolutely spellbound. I am awed by the inclusion of many words about time, thinking how we need to slow down..
Susan, I have just posted my poem and saw that our first lines deal with sun(light), which is a great sign, isn’t it? It makes the day brighter, and, hopefully, better. I like how you describe the richness of the American soil. I feel sorry for the cows. They should “have
room to (re)move / still with freedom to roam and avoid / the accident.” It’s interesting what you did with (re)move–to layer the meaning. I am, too, amazed, what can be done using the first words of the original poem to craft your own. Thank you!
Wow! This reads like that Frost poem where the boy accidentally severs his hand. It starts off lovely and peaceful, then documents a horror.
Susan, I’m so glad the prompt worked for you! I love the title of your poem, and the pictures that are put in my head as I read it.
Wow, Denise, your poem is full of pain, grief, and hope. I love the imagery and how magically your poem flows. I am in total awe! Thanks, too, for hosting today. I decided to borrow a line from Glenda’s poem today “Naming It” because I thought it was interesting and I hope people read it because it’s powerful and raw! I borrowed this line, “Then the pop quiz, /the rotting bits & bobbles frayed, worn /between birth & whatever this thing is.”
& Whatever This Thing Is
Then I lusted,
the handsome man, his passionate kisses, the firing
pop dissolving my knees, but
quiz me now about our relationship,
the history of our marriage
rotting beneath our broken surface−
bits too broken and embarrassing to reveal,
and ask me about our endless struggle,
bobbles left adrift on a tumultuous sea,
frayed threads, disconnected and
worn thin by addiction and grief because
between then and now, we’ve changed, and our life of woes
birth new fears that rise daily,
and I know the taste of sin so
whatever happens, I hope there is forgiveness;
this fine idea of redemption, a
thing like hope that I can hold onto
is all I ask as I watch him fade.
Barb Edler
23 April 2026
Barb,
I am honored you found inspiration in my poem and WOWed by the magnificent poem you’ve constructed from my words. You’ve transformed them through your genius. The trajectory of time, the excitement of “his passionate kisses, the firing
pop dissolving my knees”
and then the reality of sin and sickness and living. It’s the stuff of life. This poem is so honest. It’s scary, this aging life, the feeling of lost youth and the changes that dim one kind of love while growing a deeper commitment through all life’s detritus. I love your poem and you and am so grateful for your friendship. I’m overwhelmed by competing emotions.
This poem aches, this poem rocks. It is so raw and beautiful, Barb, painfully beautiful. I have read it several times, wanting to highlight the line that hit me hardest and there are many contenders. That “bobbles left adrift on a tumultuous sea,” I’ll settle with that – I can see it.
Oh, Barb, this is a poem that will stay with me. Glenda’s words as a spine, and your craft as an essence, I will carry your words and your wisdom. This “whatever happens, I hope there is forgiveness”–We all need it. You take us on a life journey candidly revealing its various stages from youthful love fires to trying times to illness. Sending kind thoughts and hugs.
Phew. This is powerful…and real…and human. As I care for my parents in the last years, and I’m weaving what once was to what is now, I can see similar history….time…. change…story…frustration. This is beautifully written. So human. Enormity captured in such a talented, precise way.
Barb, this poem is full of sadness with struggles and bobbles adrift as you watch him fade. I love the feeling I got when I read “the taste of sin” and “passionate kisses.”
Barb, this one takes the place of I Saw Your Ghost on Facebook Today as my all time favorite poem you have written. I think of that one often, but this – – this one is the one where you’re feeling all the feelings in layers and waves both in opposition and agreement and you just walk right into the ring of this bucking fierce animal and take it by the horns and send the cowboy cowering back to the gate and wrestle that beast of a bull to the ground and then stand up and pat him on the head like he holds no power over you – – you are so strong. I can see the winning spoken poet in you delivering this to the audience and every jaw hits the floor in pure awe of your poetry – – and I, too, am beyond moved. I will be reading this for days, weeks, months, years. And wishing I could ever write a poem this real, this raw, this moving.
Your word choice is exquisite. You take the reader from passion to “frayed threads.” And what a wonderful thought: “I hope there is forgiveness.” Don’t we all.
Barb,
I am riding an emotional rollercoaster with your poem! Everything about this poem is so intense all the way from the title to the last line.I do hope there is forgiveness. Precise and profound with raw truths. Thank you for capturing and composing.
Barb,
Do I say this every time I read your poetry, probably! This may be my favorite of all your poems. The understanding of every part of us who are older while also watching others around us battle sickness. The grief! The past…
I am sending you love, and I hope you know you are not alone.
Barb, I just read this for the third time and I am both humbled by your vivid imagery of struggle and “tumult” that you weave into a fabric of remorse and sadness. It seems your poem is written for all who have survived difficult relationships holding onto slivers of hope. This leaves me humbled by your strength as well as your ability to weave words and images.
Barb— you speak so honestly and so beautifully. …a thing like hope—hold on to it as best you can…
This narrative, so honest, so vunerable, so relatable, so well put. I don’t know if this could hit as hard with youth, but for those of us who have a few more years behind us, this hits like a semi truck. But not tragic. Hopeful. Thank you for writing this, Barb
Barb – whoa- what a raw and riveting poem masterfully borrowed from Glenda’s. The addiction, grief, woes, new fears that are birthed daily…the overwhelmingness of this Life. Which of us does not know the taste of sin-? It’s why redemption is my favorite of literary themes…but oh the ache in your final lines, the plea “I as I watch him fade” – straight through the heart.
Oh, my gosh, Barb, how do you do it? Your passion, honesty, vulnerability, long life, the magical use of Glenda’s words. And then that last line, “as I watch him fade.” I’m in awe.
Well, this was fun. Not sure this poem works but here it is…the first words of American Sunrise, by Joy Harjo, itself a poem that ends each line with Brooks’s We Real Cool
We walk from beds to toilets to kitchens, to jobs and partners, and we wonder
were we meant to be here?
It is a silly question, one that is
easy to ask, easy to ignore. A opiate, a mantra,
made for easing our feelings of guilt and for veiling our responsibility
so we can stop worrying about who and what and why
was your hand extended.
Were you asking for my help? Was this a
chance?
Will I have another? We walk, from couches to cars, to fields and to beaches we
had forgotten about and now
I (the poet? the speaker? the not we? the me behind the line?) am over
forty, wondering about scars, hands not reached for…and what I
know is
soon enough we will see our true faces as we arrive in that preordained place.
Jonathon, this poem hit me hard. I especially was moved by “the not we?” and “hands not reached for.” But the golden line from this poem was “soon enough we will see our true faces as we arrive in that preordained place” because of the hope that it provides. The word “preordained” resonated with me deeply because of my theological convictions and made this poem even more meaningful to me. Thank you for writing this. I truly enjoyed it!
I really enjoyed your poem. It is an invitation to be introspective as well as pay attention to the everyday with purpose. The layering of the poem works so well here. Thanks for sharing.
Jonathon, thanks for the background on Joy Harjo’s poem. I just looked it up and read and saw Gwendolyn Brooks’ “We Real Cool” there. I am fascinated in your poem with the two mentions of hands reaching out. I guess it shows to me the difficulty in connecting with even the closest of loved ones, but I sense there is hope in the striving.
Hi Denise,
I felt your poem in my core! This prompt was perfect for my busy day. I chose the poem Words With Wings by Nikki Grimes.
Poetry’s Birth
Some poems need a doula to
sit softly, coaxing them before
holding their rhythms on a page.
Those are the kind of verses
never forgotten because their birthing was laborious.
But then a sonnet sings sensual lyrics
that come faster than fingers tap dance on keys.
They hear our call of words in the
silent times between prompt and pen. They
tickle and tease a poet’s slumber
and sometimes appear in cumulus clouds.
I am that poet, awakened pre-dawn, or staring at the sky
but the stanzas still get stuck; push, breathe, push and wait
for the poem’s special delivery day to come.
©Stacey L. Joy, 4/23/26
Yay, yay, Stacey! I was cheering you on (maybe not quite so softly as the doula) while I was reading your words. Honestly, you made the doula sound so gentle that I wanted to hire her to get me through the day (any day, all the days)! Isn’t this just the way the poems come – some fast, some slow – but most times I feel stuck (and a bit panicked, if I’m honest). What a beautiful way to envision a poem’s birth!
What an amazing opening line. Yes, some poems need a doula!
Stacey, your poem speaks to me on so many levels. I love the lines at the end that share the image of the poet and the way words prompt the pen. I know that need to stop everything to sit down and write, but I love how your poem captures the energy like a birth that requires one to push and breathe and wait. Loved your line, “But then a sonnet sings sensual lyrics”. Such an incredible poem! Thank you!
Today my poem definitely needed a doula as it just kept getting stuck. I love this idea of birthing a poem and the waiting for it to come, coaxing it out.
Stacey,
This is so clever and beautiful at the same time. Savoring so many gorgeous moments and movements within this poem.
Stacey,
Love your extended metaphor of poetry’s birth with a doula’s help.
OK, Stacey, this is a treasure birthed by the magic of poetry and doulas and pushing, breathing, waiting. Just beautiful. The sounds in your poem are delightful–“sonnet sings sensual lyrics” and “the silent times between prompt and pen” and “holding their rhythms on a page” So glad this came today for you!
I am using the first words of Angela Jackson’s “For the Love of Books.”
When the afternoon tilts quiet, memory loosens its grip.
You stepped into a room you didn’t know you missed.
Open your palms, let the dust of old summers settle there
A small ache rises, soft, familiar, almost kind.
Book the moment in your mind before it slips away.
Oh, gosh…Abby! This is the feeling I’m forever trying to capture in poetry. That sadness/joy/pain/nostalgia that rises so powerfully, yet so hard to capture in words. You did exactly that. I love “the dust of old summers”…that’s exactly where this took me.
Abby,
I am in need of memory loosening its grip for a day or two. I feel like my brain needs a hard reset.
Thank you!
I can picture that exact moment when “the afternoon tilts quiet”. That is a lovely way for me to imagine my shift from loudness of school to quiet at home. Love that phrase!
Abby,
Love your opening line which I find so comforting.
Abby, what a delightful description of a memory of long ago, so nostalgic and a bit melancholy. I love the way you use book in that last line, like cataloguing the feeling so you’ll never lose it again. Beautiful poem.
With the first words from “Watering the Soul” by Courtney Peppernell
Even though it hurts
It is good to feel.
And even when they leave,
And don’t keep their promises,
You are lucky because
Even in the hurt, you have a heart that is capable.
Of love, of grief, of joy, of
Kindness.
That is what makes you human.
This is extremely relatable, thank you.
As the father of two teenage daughters, who creep closer and closer to leaving the house, I feel this in a certain kind of way. Well done
Oh, yes…it’s so hard. Thank you for this sweet reminder.
Hear, hear, Alli!
Alli, so beautiful. I love all the things that even though, even when they do and don’t… “You are lucky because…you have a heart that is capable…” Yes, all the emotions we are capable of and they build us up to become even more human. Beautiful poem. Thank you for sharing it today.
Hello, its wonderful to be back here writing with brilliant educators! I too, decided to use the first words from Caregiving by Angela Jackson.
Before the doctor said the frightening word
cancer, he used words like
maybe, possible, probably, unsure
and other “almost” words.
Before the doctor said
“the medical potentials are radiation, chemotherapy,
surgery, immunotherapy ”
there was plenty of faith and hope.
Now those medically frightening words are realities, choices, options, and recommendations.
However personal faith, hope, love and perseverance reign supreme
and are the foci.
By Seana Hurd Wright
The words like ‘maybe, possible, probably, unsure…almost,’ Seana, popped from your poem, especially following the frightening word (which can be cancer or doctor, depending on the moment). Faith and hope….they are so intertwined and I hope they continue to reign supreme for you and your poetry.
and are the foci.
This is everything in your poem and you give so much hope to others through your careful and thoughtful writing.Thanks.
Seana,
I love the way you structured your poem with these two lists of words.
That first list is indeed frightening.
But that second list is powerful!
Seana, it is great to have you back here. I am struck with the power of a poem to touch so deeply, so quickly. “Before the doctor said…” two lists of difficult words. But before all that there was “plenty of faith and hope” Yes, to keeping those and focusing on more besides…Peace and faith, hope and love to you and yours.
The first word in each stanza from Sonnet 147, “My love is as a fever, longing still” by William Shakespeare
My emotions overpower my life
For I have no fight left within me
Feeding on every moment of weakness, insecurity
Th’ ache of tiredness settles deep in my bones
My mind is a jumbled ball of feelings that can’t be expressed
Angry that I can not find the words to express myself, the fight
Hath left me. The
Desire to be understood has
Past. I no longer care.
And I can not understand
My own thoughts and feelings.
At least I have my sanity
For now.
Who will be there when that leaves?
Hi Hannah, I think this is very powerful, especially how one might feel at the end of the semester.
Hi Hannah, thank you for your empowering poem. I thought your word choices were inspiring.
Hannah, wow! You have managed to express such deep and heavy longing in your poem. That is a challenge to use Shakespeare, and you rocked it like a champ with “the fight / hath left me” And those last three lines, so powerful.
With the first words from “The World is a Beautiful Place” by Lawrence Ferlinghetti
I wrote this to contrast the original poem and to bring light to people having a tough time right now.
The World is a tough place
to be in right now
If you don’t think a certain way, you will
not get a voice
So sad it has come to this
If you don’t look a certain way
Now you will get judged
Just conform
Because even then
They will keep a close mind
All the time
Sarah, this is so cute! I love the rhyme scheme you decided to follow.
Sarah!! I loved this, I totally agree with your poem, it’s almost like this world is forcing you to go along with society’s regulations
Sarah, I’m afraid you write of one of the things about social media that I have mourned–conformity. And the silly algorithms enforce it by making one think the whole world is writing, believing and saying the same things. The world is a tough place right now. Thank you for writing today.
Now as I’m reading everyone’s poems, I’m not sure I did this right! oh well!
Searching the internet I cannot find my two favorite poems by Langston Hughes. I did finally find them, but they’re imbedded into another poem? I am not sure. And I think the title of the one I love most is: Little Dreams, but it could be Slum Dreams. I can’t find it as a stand alone. I post it in it’s entirety on my blog if you want to read it. Here is my attempt at using the beginning line as a starter prompt. One word per line in order to encourage my mind.
Kansas Wind
The wind rushes through the grass and trees,
little critters float on the breeze,
dreams are swept away.
-Carrie Horn, 4-23-26
Carrie, this is such a beautiful way to capture the nature and environment of Kansas! My family lives in SW Kansas, and the wind and critters are very familiar to me. I really enjoyed your intentional words!
Carrie, this is a beautiful poem and for me it captures the great winds that can sweep Kansas away as well as dreams. Love the line “little critters float…”
Carrie, I love the title of “Kansas Wind” as I read your poem. “dreams are swept away” is such a line, with so many possibilities of what it could mean in the wind of the Kansas prairie.
Denise, I am so drawn to your volta…and yet. There is always hope in the helpers.
I loved this challenge…I have been revisiting music from my youth, particularly the Indigo Girls, after hearing Emily’s sharing of her health condition. I pulled from one verse of “Love’s Recovery.”
Homegoing
There falls certain peace at dusk, cirrus clouds
painting the sky in soft hues
of purply pink and tangerine orange, colors
not lasting long enough to see them twice.
My heart aches toward the source, but
I know I must stay, for now, feet planted.
Julie, I love the intentionality in your words and the way that you describe this longing or ache towards going home with the recognition that you must stay here for now. I can very much relate to this feeling at times. Thank you for sharing such beautiful words!
I love the picture of this moment captured in your words. Especially powerful is the last line
Julie, wow, this is so beautiful. I want to be there with you at the source of “purply pink and tangerine orange, colors / not lasting long enough to see them twice.” But then when I read it again with the title “Homegoing” I get all kinds of new feelings. Such a powerful poem.
Denise,
Oh, that poem “”Caregiving.” I had to take a moment, it reminded me so of my mom caring for my dad at the end of his life. She came three hours to visit me once and returned to find him with a big goose egg on his head from a fall. She never came to visit again while he was alive.
Your poem is lovely and timely. Love all the work you’re doing. Be back to write soon. ❤️✌️
Way to challenge us! I wallowed for a bit, then found Rita Dove’s poem. Your poem ended with such positive images, the helpers… Mine just stayed sad.
Apology, with InterruptionsBy Rita Dove
Mayhap—what
a curious word,
all misfortune and
circumstance or pure
terror (as soon as fate
gets her hand
on the string). Why
do we need free will,
anyway? What is this
beautiful freedom
we long for, then promptly
grow bored within?
I meant to say
perhaps, but this
conjoined relic slipped out
instead. What was it
I wanted to tell you?
I forgot. That’s how
everything goes now,
all of the time.
Apology, first words
Mayhap we should discuss the state of the world
A curious malaise has taken over
All the smiles are cynical
Circumstances shift from day to day
Terror hides in dark corners; no one knows who
gets to stay
Anyway, we carry on as if everything is
beautiful.
We close our eyes to the world’s blemishes, we
grow tired of listening to its lamentations
I meant to say we should be doing…something
Perhaps we should be taking action,
but it seems that too many problems are
conjoined, too hard to separate and correct
Instead, I worry, fret, rail against reality
I wanted to write something Positive
I forgot that Positive needs Hope to carry on
Everything is dark right now.
All of the time. Apologies, my friend.
GJ Sands 4-23-26
Hi Gayle, I see your heart throughout this poem! I appreciate that you added Rita Dove’s poem here as well.
Gayle, I had never read Rita Dove’s poem, “Apology, with Interruptions”. I like how you riffed on her title too. Your last stanza is sad, but I liked it. “I forgot that Positive needs Hope to carry on” and that last line with “Apologies, my friend” makes me wonder who is apologizing, someone larger than life.
Funny thing, I first read “All the similes are cynical” and I thought for a minute about cynical similes…
Gayle,
I feel all this and you write with such clarity and honesty. It is important to name all this…no apologies.
Gayle. I appreciate your honest, raw response to our reality. It hits hard, and I feel the same “too many problems …too hard to separate,” and it causes worries and anxiety. This line is striking:
” I forgot that Positive needs Hope to carry on.” No apologies needed.
Thanks you, Denise! Your poem is beautiful, resonating with both pain and hope. I love that the helpers, “sitting in the mess, serving” are “wistful and triumphant.” For today’s challenge, I used the first words of each line of Eve Merriam’s “How to Eat a Poem.”
How to Eat a Green Apple
don’t worry that it might be sour; it will
bite first the spot where the lenticels gather
pick those spots, dark or light; they soak up air and sun
may that bite fill you with more than apple, may
it fill
you with air and sun and tree and core
or curling leaf
for only in the biting can you find the sweetness
or maybe the sweet finds you, behind the sour
or the curling leaf crumbles in your fingers
or the core is all that’s left
or the skin of the apple, warm in your hand
or lenticels, speckling the skin…yes, that’s the word
to remember…the way green apples breathe
Thanks, Lori, for this poem–I love a how-to. This is so rewarding on the ear: the long vowels of biting & sweetness, the rhythm of lenticels, speckling the skin, and the resolving green apples breathe.
PS You might like this article that I just taught to my Narrative Nonfiction juniors : )
Thanks, Joel! I really enjoyed the apple article. Cosmic Crisps are pretty special, but I had no idea about the apple industry competition. My great-grandfather had two apple trees. Those little green apples were my favorite.
I like How to Eat a Poem… and now How to Eat a Green Apple… both for long ago memories of eating tiny green apples despite warning against the sourness (and stomach aches) and teaching days when this would have been a great poem for kids to share those experiences and learn this great vocabulary word! And compare to How to Eat a Poem.
wow Lori, this is great! not usually a fan of green apples and disliking spots on my fruit since childhood, you’ve taught me a new way to appreciate them…the spots that soak up sun and air so that I can be filled with star, sun, tree and core or curling leaf...challenging me to find the sweetness and remember the way green apples breathe (did I just copy every line? I couldn’t choose just one).
Lori,
I will never bite into an apple the same way again. All the juicy goodness of this poem will savor that fruit with me. It’s such an important reminder that food isn’t just utilitarian nourishment but like a poem, an experience to savor and dwell on the details, such as “may that bite fill you with more than apple, may
it fill
you with air and sun and tree and core
or curling leaf”
And this brings back memories of all the yard fruit I ate as a child.
Glenda, thank you! My great-grandfather had two apple trees in his yard. He loved those trees, and I loved the green apples.
I generally don’t like apples, unless they’re in apple pie, apple crumble, etc. I learned a new word today in lenticels. Thank you. Next time I might try remembering your words, “maybe the sweet finds you”
What a fun description/direction for eating a green apple. I love this here: “for only in the biting can you find the sweetness/or maybe the sweet finds you, behind the sour.” I definitely think the sweet is somewhere behind the sour. In my mind’s eye, your apple is green and tart and luscious and juicy. I also learned a new word today, which I looked up to see if I was understanding correctly. Thank you for sharing!
Lori, I love the shift of Merriam’s poem to eating a green apple. Your poem is compelling due to its sensory details, the images of light and dark, air and sun and the sensation of biting into that apple. I see so many levels of meaning here. This would be a fun one to share with students to not only show them how to piggyback a poem but to also discuss the poem’s messages.
Lori, that first line drew me in and had me grinning with the need to not worry over what is certain. I love all the repetition, love all that goes into the apple, and all that is tasted with each bite. A great way to celebrate Eden and to understand why the fruit was forbidden – – because it’s so dang tasty!
Ah, Lori, what a delight. The experience of picking green apples are sure to “fill you with more than apple” I love the wish here: “may / it fill / you with air and sun and tree and core / or curling leaf” This poem is like a beautiful invitation to be a child with a fruit tree.
Lori,
I love the sound bytes and deliciousness of your poem. It fills me up.
Lori,
Your poem is delightful. Just the bite of
I need right now. Thank you.
Denise,
Thank you for this challenging prompt today. It holds limitless inspiration and I know I will return to it.
The NY Times and NYTbooks is doing a poetry challenge on instagram to memorize a poem. I knew I would rabbithole for far too long this morning to find a poem to use for this activity, so I just decided to go with the one they are profiling. I did read all of the Angela Jackson poems on Poetry Foundation. Love her! Thanks for sharing.
First words and rhyme scheme from “The More Loving One” by W. H. Auden
The Loving One
Looking at the many angles of love
That, too many feel, are dictated from above
But the truth of the matter remains
We love with our hearts not our brains.
How would we like to feel an immediate bond
With someone, yet be told that we are wrong?
If feelings of love are meant to be ignored
Let the concept of arranged marriages be restored.
Admirer of strong relationships I am
Of others’ judgments I give not a damn
I cannot, once I see true love, feel
I have a right to claim it’s not real.
Were these feelings to be in our hearts
I can’t believe we should be apart
And live without the love we’ve found
Though others look with disapproving frowns.
~Susan Ahlbrand
23 April 2026
omg you did all this and rhymed?! [fist bump]
Thank you for confronting directly the many ways that love is viewed skeptically or criticized, the many ways that we meet disapproval. And thanks for reminding me of that song tucked into Merchant of Venice!
Hi Susan, I almost chose this poem myself!
The rhyme scheme here is fantastic.
Susan, thank you so much for your thoughtful response! I really enjoy the rhyme scheme of your poem. Additionally, the line “I can’t believe we should be apart” is such a beautiful way to represent the power and importance of love. I can really tell how intentional you were while writing this, and it’s beautiful!
Susan, your message rings in harmony with my ROBERTSON FAMILY STORIES. Are you willing to read and review CHOICES? Email me. ajroseboro@comcast.net
Love wins. Every time, and who are we to frown? I’m applauding your poem and celebrating love.
Wow, Susan, impressive that you took Auden’s first words and incorporated his rhyme scheme, as well. Grand message in your delightful poem. I love the idea of “If feelings of love are meant to be ignored / Let the concept of arranged marriages be restored.” Good argument. I didn’t realize until the last stanza that perhaps your own partnership was doubted.
Susan,
It’s true: “We love with our hearts not our brains.” And this reminds me of something a friend said her father always told her: It’s just as easy to love a rich man as it is to love a poor man. You’ve done a fine job honoring Auden w/ your poem, and that’s not easy!
Denise, your work as well as your poem and thoughts are brave and empowering. I too am working towards changing the old guard in politics and empowering new voices and people who are brave enough to ask questions and challenge the answer “because.” While protests signs and marches were powerful strategies of the past, I am thinking that today’s changes need to start with our daily actions and brave conversations about ideas as well as social media.
I am choosing words from a poem I found inspiring in the April 2026 Poetry, won’t you celebrate with me, by Lucille Clifton. I am writing my poem as a sort of sequel to your inspiring poem.
it’s time to consider peaceful coexistence
won’t you pen a missive, buzz an official, badger a congressperson
what about taking on this cause using your skills, gifts towards
a world where peaceful coexistence is considered a goal? where we are not
born and bred to fight first and settle when
both sides run out of ammunition, or when
what seemed like a good idea no longer fits,
i will accept strength as deterrent for enemies and disease, yet
here, now, we could end entire civilizations as clearly as
starshine could provide guidance for enemies to do the same.
my hope rests in our diverse people, brave new leaders, spokespeople,
with history, science, three equal branches of government framing
something based on realities rather than blusters and deceptions
and nurtured, slowly, back to peaceful coexistence in a diverse world.
Anita,
Your poem is aspirational, a counter-narrative to our current reality. I will never understand the fight first impulse, and like you I’m putting “my hope rests in our diverse people, brave new leaders, spokespeople.” I think about countries where expats gather and are stitched into the fabric of community. I want that for us all.
Hi Anita, I appreciate that you bolded the first word. I also think a sequel is so great!
Anita, your poem shares everything I also hope for. I love that you begin with a concrete action anyone could do….writing a letter to badger! I also appreciate your ending because it captures the problem and the reason we must have a change. The diction throughout is spot on and i especially enjoyed “blusters and deceptions”. I also embrace your last line. If we could nurture diversity and coexist in peace, all would be good and people would begin behaving in a way that is more humane at least I think so. Loved your poem. Thank you!
Hear, hear, Anita! I love your poem, what you did with Clifton’s words, and the message. Some of my favorites:
Love what you did with “starshine” there. And those last four lines starting with “my hope…” so powerful and are my hopes and dreams too. Here’s to a new world “based on realities rather than blusters and deceptions.” There are just so many truths here. Thanks!
Anita, I keep shaking my head at our world leaders – – and asking what did this accomplish? Your poem speaks to the blusters and deceptions, and I sure wish our leaders would count their fingers and toes and look at the color of their blood and compare it to all of humanity. We are humans, and what an amazing world it would be if like you said we could have peaceful coexistence.
Denise, thank you for this prompt and your inspiring poem. I love that it ended on a hopeful note. Today, I am using the poem, “Those Winter Sundays” by Robert Hayden. It is one I share with my 7th-graders to explore the theme of sacrificial love. I again have a poem about Chuck. I appreciate everyone indulging me as I make my way on this grief journey.
Sundays
Sundays are days for church and rest
and contemplating the week ahead.
Then why does my mind find it hard to focus?
From morning until night, the day is
banked by the memories of you.
I’d give anything to see you again
when I open my eyes in the morning
and enjoy a Sunday breakfast you made with love
fearing it would all be a dream.
Speaking about you and our life together reminds the world
who you were, who you loved, who loved you,
and the differences you made in the lives of others.
What a lucky woman I am to have had a life
of love and laughter with such a wonderful man.
Rita, this is a beautiful poem and a powerful testament to love. My favorite line is “who you were, who you loved, who loved you.” Such a huge part of who we are is made up of who loves us and who we love; yet I’ve never stopped to think about it like that until reading your poem. The wisdom in that line opened my eyes.
Rita, this is a love story in a poem form. Describing Sunday as a “day banked by the memories” is a powerful way to start this piece as it shapes that his memory is at the beginning and the end of the your days. Thinking of you
This is sweet, poignant and touching. A hint of sadness, but overtones of gratitude. I love this look at grief. Your grief. And memories. And you are so right, speaking about the person reminds the world (and us too) of the differences the person made in the world they lived in. I was inundated with happy memories of lost loved ones as I read this. Thank you for sharing such an intimate look at your love.
Rita,
You are creating so much beautiful poetry about your husband. I hope it’s helping you with the grieving process. It’s sure an honor to be an audience to your testimony!
Rita, Sunday at church, “Sunday breakfast [he] made with love”, “From morning until night, the day is / banked by the memories of you.” I love how you spoke directly to him in your poem.
I’m so happy you have been able to write poems about Chuck. I am of the firm belief that poetry is a means of healing; you are on your journey with a good group of poets.
Thank you for the prompt! I love the task and your mentor poem. What a challenge this was!
Homage to Home
with Apologies to Lucille Clifton & Her Hips
these are the stories that never learned to stay put
they follow like dust in the seams of a house
move through the rooms without asking permission
they settle in corners where voices once gathered
petty things at first—names, smells, a laugh remembered wrong
are enough to stir what was meant to lie still
they hum low beneath the telling, beneath the silence
these are the ghosts we keep without meaning to
they rise in the rhythm of rocking chairs and long summers
they echo in kitchens where hands once worked and worried
they press close when the night forgets to soften
these are the moments that won’t stay finished
these are the stories that turn and look back
i carry them whether I speak them or not
to hold them is to feel them holding me
spin them long enough and they begin to breathe
Melanie, reading your poem is like walking back in time, gathering memories, stories, and moments. There are so many lines to love…”they follow like dust in the seams of a house,” “they rise in the rhythm of rocking chairs and long summers.” I also love that both our poems today end with the same word: breathe.
I noticed the last words ans well. The idea of breathing has been occurring in so much writing, in so much poetry lately.
Melanie, this is a beautiful, haunting poem. I love everything about your poem and how the stories are like another resident of the house. I especially like this line – “these are the ghosts we keep without meaning to” – and then how you describe where you find them.
Thank you so much.
This poem settles deep in my bones! It is one of my favorite poems I have ever read on EthicalELA . . . and that’s saying something. Our homes (for me especially my childhood home) hold so many stories and your poem captures so many layers of how stories exist in those places. Simply dynamite!
Oh, this absolutely made my day, heck, it made my week. Thank you.
Melanie, wow! The way story is a metaphor for home here is so effective. When those three lines in the middle start with “they rise…they echo…they press…” I felt so connected and began remembering some of my own home stories. Love this, and I would love to think that Lucille Clifton would have liked your Homage to Home.
Thank you so much!
From Angela Jackson’s “Q & A”
I see the injustice
Big holes and gaps
I yearn to be an answer
For every child needs an advocate
The promise of dreams unfolding
Drops daily into their hearts
And I ask, will you partner with me?
Yes! Every child does need an advocate! What a powerful poem – “The promise of dreams unfolding/drops daily into their hearts.” That’s what good teachers do…plant the seeds of promise.
This poem left me wanting more. I want to fight the injustice, I want to advocate for children. I want to sign up today. I love this. Your line “Big holdes and gaps” makes me remember that so many children are fighting battles that rob their childhoods.
Cayetana, I love this poem so much! I agree that every child needs someone to advocate for them.
Oh, yes, I want to partner with you against “injustice / Big holes and gaps.” This is beautiful, Cayetana. “I yearn to be an answer” and “drops daily into their hearts” are two favorite lines.
In a Station of the Metro or Maybe Not
The thing I was telling Pound was to leave out the
petals and just focus on the ghostly faces, or better yet,
the whole thing, now that I think of it, could be scrapped:
petals and all and maybe just take a bus instead.
__________________________________________________
Denise, thank you for your prompt and mentor poem today! Your poem is so powerful, and I love your final declaration: “I will not give up hope”! (And thank you for introducing me to Angela Jackson!) For my offering, apologies to Ezra Pound. But also not really. He was profoundly problematic. And as you can see, by his “In a Station of the Metro,” Pound did not take my advice.
This direct address is disarming & hilarious. I love the idea of a poet that needs some editing, some re-vision, a strong nudge in a different direction. Isn’t it great that the poets can sometimes be wrong? : )
Oh, genius! I can see you and Ezra hanging out, waiting and chitchatting, best buds (or not) exchanging reviews of your work. You’ve placed the conversation into the scene, as if you are on the platform in the midst of the herd, giving this the energy of the moment.
Scott, your ending is perfect. I do love the way you are able to capture the essence of something and make it humorous.
Scott, so fun! I love how you confide in your readers about the conversations you and Pound had. I’m glad that you repeated his first words again because then we get that fun third line with another solution besides the metro. “He was profoundly problematic” made me laugh.
Wow, Denise ~ I loved your mentor poem and your own powerful expression of the world’s stomped feeling of safety ~ I read the last lines of that stanza over and over — so beautifully written and perfectly crafted…thank you for stopping my tumble with the reminder of the helpers and the will to hold on to hope. My own poem is based only on the first line of poem by Musa McKIm, from a slim book of poetry I retrieved from my in-laws house when it was being emptied. I only took the first line because the rest of the poem just followed once I set the first line down,
I am writing this from a palace.
No that’s misleading—
no domed ceilings here,
no crystal chandelier
or gold-tasseled chair
set upon a marble floor.
I am writing from a favorite room
with a cluttered wooden table
and cracked tin clock
on the fireplace,
a scatter of books and pencils,
a flower,
and beside me a dog—
not even a Pembroke Welsh Corgi
but an anxious, freckled mix
of who remembers what
found wandering the dusty streets
of a state five states away
and brought here
in a cage too small
in a van too crowded
where we met and I brought him
to this humble dwelling
where he is king and I am happy.
Every creature needs a place to belong, and we become kings and queens with someone who loves. Thank you!
“where he is king and I am happy” is a beautiful last line! I love the rich description in each stanza. I read it aloud several times to marvel at the words and descriptions.
What could be better than writing from the palace of a favorite room, with a dog as king of the castle?! This poem made me smile today!
Our homes are surely better than palaces when so much love abounds. I am sure that your adopted dog feels like a king after what he has been through. This is such a sweet poem.
Ann,
I am writing this comment from a favorite room, my front room where I watch the world and today see red ornamental trees blooming on a cold, cloudy day as i sit on my social distancing couch from the pandemic days, a couch that holds memories of community forged when we could not gather, and here next to me as I write is my Stanley, sleeping rescue dog, my ever present companion. I am so inspired by your poem that I felt compelled to share this scene that created a connection to your lovely words. “and beside me a dog—“ is my absolute favorite line.
“where he is kind and I am happy.” What a great description of what rescuing a pet feels like. We have shelter dogs and they rule the roost, but only because they bring up joy. Of course you’ll notice in my poems, my life is ruled by critters that I love. They make me happy. Thanks for your beautiful poem, and how it makes me feel a part of a comfy home, cozy and safe and full of love.
soft spot for rescues. It’s a huge soft spot, and I love how these lines move from self/location to home/companionship. From personal palace to humble-dwelling King. Delicious.
Oh, Ann, what a sweet poem, inspired by that great line by Musa McKim. Such a beautiful story your poem tells, from the palace that’s not a pretentious one, to the king who is so loved and delightfully humble. Touching story of how you found him. “dusty streets of a state five states away” really shows the unlikely journey that connected you two. Providence!
In a word – phenomenal, Ann! How perfectly you craft this with imagery of the palace, the Pembroke Welsh Corgi – nod to QE!! – and your foundling being king. Your poem makes me happy, too!
Thank you for this prompt. Another one to help us stretch our thinking and grow our writing.
My first words are from The Dream Keeper by Langston Hughes.
Keepsakes
Bring home the little treasures
You find while you are out at play
Bring the tiny things so big in your
Heart, that fill your imagination, so
That you can keep them
In a box under your bed
Away from being forgotten with the disappearing days
Of childhood
Yes, because these small things will continue to inspire, even after childhood. Thanks for the refresher from when I saved most things.
Oh, wow. I love the “bring the tiny things so big in your heart” line. It sang off the page for me.
Oh, Diane! This warmed my heart. You grabbed my attention with “Bring home the little treasures.” If only all of us could find the same beauty and wonder that children find in the smallest of things!
“Bring home the little treasures” is such a great opening line. It made me think back to the tiny treasures my children would bring me, and now my grandchildren. Your poem made me smile. Thanks.
This is so lovely Diane…tiny things so big your Heart— I love this. I love the poignancy of the box under the bed. You’ve captured all the poignancy of childhood. Really loved this.
Diane,
This is lovely and instructive. Parents need this advice. We should tell our children to collect treasures from childhood and turn them into memories.
Diane, I love this! You have reminded me how important the little things in life are.
This lines make my nostalgic little heart ache:
Diane, what a precious poem. I love the “little treasures” “the tiny things” and then that they are “so big in your / Heart, that fill your imagination” I have some of those tiny keepsakes that tell stories of my life, which I thought of while reading your poem.
Your poem captures the wonder of childhood so well- especially the phrase “bring the tiny things so big in your heart”. A rock, a stick, a bug can fill a child’s heart so.
First of all, Denise, thank you for modeling poetic bravery, for looking unblinking at our world today. You offer a thoughtful & artful engagement with our here & now. Love the metrical & imagistic rush of “ride into torture and / then tumbling / down” especially
I always post what I write here also. Today’s offering is inspired by & titled after a great James Wright poem:
The Shadow and the Real
There used to be a tree right there.
She was a gnarled thing, having with-
stood storms, draught, saws, plastic bags
loosely tangled from root to crown.
She spun cotton through the campus —
her late spring sowing of herself —
and for all that, not even a
shadow remains of her branches.
I remember field days, track meets
her trunk provided a craggy
but firm backrest. Shade & shelter
demolished like some trees before
her — to make paper, this pencil.
Her footprint’s here, these few loose lines
I plant, which might take root for you,
no stranger to gaps in the sky.
Fantastic! I have seen this tree in other places of my heart. Thank you!
I confess, Joel, that I do love tree poems. The lines you’ve written have planted themselves in my heart..the memory of her spun cotton, her shade and shelter— the gifts she gave after she was gone…all of them taken root here…beautiful!
Joel,
There’s a poetry picture book called Leafy Landmarks I think you’d like. It’s one the NCTE poetry committee honored in 2025. I’m struck by the tree’s sacrifice: “Shade & shelter
demolished like some trees before
her — to make paper, this pencil”
This utilitarian sacrifice for capitalism symbolizes lost communities trees represent. Those last two lines are stunning and make me think of exposure to the elements resulting from the lost tree shade.
Thanks so much! I need to find that book!
Joel, trees are one of my very favorite things, so substantial in their root-fixedness, so majestic in their reach, so generous in their offerings. You share these traits with us through your words but also so distinctly offer the gap (that we all have felt and been guilty of creating while we’re paving parking lots and such) that the loss becomes that much greater. Beautifully done!
Thank you for sharing this memory of a tree. I think, maybe, it’s a sign someone has a poet’s heart if they make space for memories of trees. My favorite was a weeping willow that I passed on my walks to and from elementary school. I always paused to wave or say hello and imagined her swaying limbs were waving back at me. I really enjoyed how you tied the tree to the creation of the poem.
I’m with Burg, below. I love a good tree poem…and here, you’ve rooted this tree into all of our hearts. We may not know the specific one, but me understand the demolitions. What was given, but now is gone. Bravo on today’s poetic contemplation.
Joel, what a beautiful poem, the heft of the history of this tree is rich. I imagine you at school looking out at the gaps in the sky where this tree used to be “right there” and appreciate this special invitation to consider her importance, to let her memory take root in me.
Joel, thank you for this reminder that trees are not here to be giving trees in the sense that we take all that they have – – but here to be giving trees for shade, for air, for critters’ homes and landscape artists to paint……with all due respect to Shel S., your poem wins the day with the trees…..and with me. I have mourned ours for a year now, their harvesting from this pine tree haven a real source of grief. The only blessing is in seeing the full sunset and an unobstructed view of the stars, but geez, I’d have driven for that. Thank you for being a modern-day Lorax poet and speaking for the trees.
There was a HUGE tree on the playground of my elementary school. We actually called it “The Kissing Tree” because the boys chased the girls around it to try to kiss them. Oh, the silly innocence of childhood. This poem took me right back there . . .
as our tree is now demolished too.
I absolutely LOVE the connection you make between paper and pencil and your words being footprings so new roots can grow. Such a creative and emotional connection.
Before the moon came out (after Denise Krebs)
light reflects what is not its own
borrowed brightness held at distance
visible only through change in angle
a body that never moves closer, farther
yet alters what moves beneath it
tides rise without contact
fall without instruction
she appears in phases
fragments of our perception
dark without edge or explanation
never arriving, never absent
fullness arrives as illusion
not completion
and when the sky seems held
she is there
even if not seen
her effect remains
in water
in waiting
in the way attention turns upward
toward what refuses to be held
her body stays
our experience of her moves
“she appears in phrases/fragments of our perception” and “her body stays/our experience of her moves” are both lines that made me pause and think. They captured something that resonated so deeply with me that I do not quite have words to explain it. I sat with this poem for quite a while.
Thanks, Melanie. I learned a lot about the moon today and found it helpful for me to think of her in this way, honoring the moon logic. The moon remains constant in itself, and what changes is only how it is seen—its phases are not transformations of the moon but shifts in perception, where distance, angle, and attention determine what becomes visible. Perception. Ours.
Sarah,
I feel as though are poems are in conversation today w/ all these references to “her body” and movement we associate w/ cycles, both the moon’s and our own. The lines “fullness arrives as illusion” feels profound, like a promise made to women by our culture thst we later learn to doubt and question. I love the paradox in the first line, the idea of light revealing and deluding by “reflects what is not its own.” I’m thinking of light as bending the way women must bend in this world. Anyway, these ideas and lines resonate w/ me today.
Sarah, wow, what a beautiful and educational poem about the moon. I was wishing I could have used this when my fourth graders studied the phases of the moon. It honors the mystery and beauty of what the moon does, when visible and not, and gives us premiaron to not understand it fully. Those last two lines sum up perfectly. And then to think of the broader issues, like war, that the moon is witness to, makes your poem all the sweeter.
Your poem holds intrigue for me. I was enthralled with the line “never arriving, never absent” in reference to the moonlight. How she is unceasingly there. I love just outside of a small town, and the night view is spectacular. On days that I forget why I moved to a decrepit old farmhouse, I just need to watch a sunset or go out star gazing (and moon gazing) to remember why. The moon risings here are something to behold.
Each night, when I walk my dog, I gaze up at the moon in all her splendor. “Her body stays/our experience of her moves.” I will think of this line, no doubt, when I stare at the moon tonight. It’s wonderful to have words that match my wonder.
Sarah, my word! This is beautiful. I sense the dance of moon and water, never touching, moving in tandem like magnets that pull and repel at parallel distance, in a lovely sway, with sprays of water swishing upward like the hem of a dress on a dance floor…..it’s absolutely beautiful what you have done here.
Sarah, this poem has me thinking about the moon as if it were a stealth but very powerful force. “She is there even if not seen” and still, always powerful enough to control tides without contact. I can’t say I have even looked at the moon as carefully as I did tonight as I read your poem on my darkening porch with a tiny sliver of the moon reminding me she is there.
Denise, mention of mountains and first words helped me focus on the first poem we HAD to memorize when I was a preschooler. Some here may have had a similar experience. What about you?
The 23rd Psalm
The first Bible poem we had to memorize.
Lord, what does that truly mean?
Is the question I asked day after day, verse after verse
My foster gramma insisted that I’d soon understand a
Shepherd is a gentle caretaker of a flock of sheep
I wanted to stop, but she rewarded us.
Shall I learn this just for extra Jello with fruit?
Not for the benefits of knowing the Shepherd?
Want got me. Jello was good and I’ve learned, so is the Lord.
Treating for learning is a strategy that works.
Students complete lessons, and less homework they shirk.
As they experience the treats and the value of learning
While all along we show and confirm their value.
We, teachers, too, may be seen as caretaking shepherds.
Anna,
The 23rd Psalm was my father’s favorite passage in the bible. It is beautiful. And we don’t have to understand all there is about it to see its beauty. It is a comforting passage, and I’m glad you found inspiration in it today.
Anna, yes, I was one of those who memorized the 23rd Psalm. It is a poem of lifelong peace and comfort, as we often hear it at funerals too. I think it’s so sweet that you remember the treat for memorizing was Jello with fruit. I too believe teachers are “caretaking shepherds”
I, too, memorized these verses. Whatever moved us to learn them, our understanding grows throughout life and the words guide and comfort us. And as teachers it’s important to help students see their own value.
Denise, thank you for hosting us today with this prompt that welcomes the day with just the canvas I needed to begin. Your lines using words rumble and mess describing the violence carry such stirrings of loss and destruction and grief in such unnecessary acts inspired me to think of the peace I find in writing, I’ve recently begun dabbling in watercolor painting to practice intentional meditative times, and I’m using a poem today by Lauren Camp, former astronomer poet in residence in The Grand Canyon from her collection In Old Sky, entitled Tonight the Sky Breathes.
Pegasus Wins the Derby
wet on dry, vivid
Thunder cracks seep in
and settle in bold strokes
like horse hoof dust
Let wet on wet be
what carries racecloud churnings
night a stardust palette
washing teardrop stains into constellations
Kim,
This feels like a celebration of the Chinese Year of the Horse and an ode to Van Gogh’s Starry Night with the “bold strokes” and “night a stardust palette” as Pegasus kicks up “horse hoof dust” across a milky night sky ensconced on “wet on wet” watercolor paper. It’s a lovely poem.
Kim, I love this so much—especially “hoof dust” and that shift into “stardust palette.” You’re doing something really gorgeous with motion and transformation here, like the race is both earthbound and already turning cosmic. It feels alive in every line.
Kim, there are so many delightfully poetic phrases here. I’m in awe of poets who can continually poet, who make it hard to pick my favorite line. (Sometimes I think a lot of my poem is prose in short lines!) “thunder cracks seep in” and “racecloud churnings” and “night a stardust palette” and that last line! I can see you painting with watercolors as I read this beauty.
Kim, I especially love the line “night a stardust palette.” Being a Kentucky girl, you had me at “Pegasus Wins the Derby.” I love how you mixed painting and poetry…a beautiful blend of textures and words.
Kim, “Wet on dry” and “wet on wet” are such perfect words to connect with watercolor. However, it’s that image of the horse hoof dust and “stardust palette/washing teardrop stains into constellations” that has me gasping for air. Wow, this is beautiful! Thank you for sharing this one today!
Kim, you string words together, golden bead by golden bead – horse hoof dust, racecloud churnings, stardust palette. I note the watercolor techniques of the first and second stanza, and their constrast, bold vs. ethereal. Beautifully done. -The Derby! My money is always on Pegasus 🙂
Kim, your words create a masterpiece in bold strokes, to use your language. The thunder cracks, racecloud churnings–your stardust palette is full of amazing. Keep writing and painting!
Kim, you really do have a way with words that is magical and brilliant. Like you, I have been exploring watercolors but there is nothing so wonderful happening in NJ with my “stardust palette”! I have a few teardrops but there is nothing close to the “constellations” you are creating with both your brush strokes and your words.
Denise,
Thank you for hosting and for all you’ve done for this community during Sarah’s sabbatical. I’ve been looking forward to your day. I fell down the rabbit hole reading Angela Jackson’s poetry. You know I love when you call out the regime. You brought recipes today. Love your poem and you.
Naming It
At the gynecologist’s office
we pretend all is normal.
It’s a prelude hokey pokey, a
volta
smoothed by baby steps like
perimenopause—
that portal into
the geezerdizatuon of womanhood
where sexuality is
blotted from our culture
so youth’s glistening skin of
watercolors and white teeth
would shine under the follow-spot
and the inconvenience of sagging
breasts recedes upstage.
It is lived reality,
the female fate,
what the young cannot know.
Then the pop quiz,
the rotting bits & bobbles frayed, worn
between birth & whatever this thing is. I
imagine delivering it. Naming it.
“Should” the moniker be old school?
But I want to to bully it, call it Clarence
or Madge on the Vag.
We share a body—this Golum and I—
to-gather we exist in
the now. I long to be like Gilda.
Whoever can laugh
and know “It’s always something”
had wisdom.
I am both
and neither, the Calvinist
punishment of growing up Baptist.
I am at peace in mental purgatory. Tis
true:
Nothing lasts forever.
Glenda Funk
April 23, 2026
First words from “The Love of Travelers” by Angela Jackson. I know my poem has tense problems but wanted to adhere to the specifics of the prompt.
*On a personal note: A few days ago I learned I’m in the high-risk category for endometrial cancer so will soon undergo a hysterectomy, as have millions of women before me.
Glenda, getting old isn’t for the faint of heart and your poem properly shares the why. I’m pulled so many directions here: sending good thoughts your way as you undergo the surgery to prevent cancer, laughing at Madge on the Vag and frayed/rotting bits and bobbles, nodding in agreement at the lived reality. This is a punch of a poem (as I’m sure you’re feeling with your diagnosis). With my sister’s year+ long treatment for cancer, the words I am at peace in mental purgatory really resonates.
Glenda,
This is such a powerful poem—funny, sharp, and unflinchingly honest, and I especially love how you move from the body’s language into naming and then into that quiet “we share a body—this Golum and I.” That whole arc carries so much truth and courage.
And I also want to say, gently and clearly, I’m really sorry you’re facing this surgery. That kind of news is a lot to hold, even as you keep writing with humor and insight and clarity. I hope you’re being well cared for and that you have steady support around you as you move through what comes next. I know Ken is by your side. Hugs
I’m holding you in this, and grateful you trusted us with both the poem and the reality underneath it.
Peace,
Sarah
Oh, Glenda, wow, this is so powerful, and such a great way to deal with news from doctors. Love: “the geezerdizatuon of womanhood” and you always keep your sweet sense of humor. I loved, “But I want to bully it, call it Clarence / or Madge on the Vag.” You made some magic with the words you were given: “youth’s glistening skin of / watercolors and white teeth”
(On a side note, I read your poem without noticing any tense problem, but it’s hard not to notice for a grammar queen–well done! I should have said, in my poem I changed some of the tenses!) I’m glad you made the decision to have the surgery. All the best for a speedy recovery.
I loved so much about this. The line that resonated with me most today: “Whoever can laugh/and know ‘It’s always something’/had wisdom.” I can say those words (It’s always something.), but I can’t always laugh…though I try. I like to say with age comes wisdom, but most days I’m not sure. Who knew with wisdom would come all these worries? I’m sending hope for a successful procedure and rapid recovery.
Glenda, I am in total awe! Your poem is raw and straightforward. The way you open the poem, immediately sets the stage. We know something serious is happening and that the lived reality of being a woman isn’t a roller coaster ride. Your personality shines in the section where you want to name the thing such as “Madge the Vag”….oh my! That you want to bully it shows your determination to defeat this issue. I also appreciate the shift at the end towards the religious mind set, but your end is a gob smacker. Yes, it’s true that “Nothing lasts forever” but this line adds such a poignancy and heart wrenching smack, that the reader must pause and reflect. Your poem makes the reader feel and that’s what I think most poets want to achieve, an emotion. Hugs!
Douglas Coupland wrote that when men happen upon women in conversation about womanly things, it can be called ‘tamponic.’ I grew up in a house of women, so that is the word to describe my childhood, but now they are all peri-menopausal and I’m going through man-opause (plucked a 2 inch nostril hair this morning that grew overnight), so every word you wrote intrigued me. Shoot. They made me smile, as I know most of the women who have brought me into tamponic (or post-tamponic) moments such as this can totally relate. You got this. Biology is barbaric at time, especially to the woman’s body. I’m so happy you nailed this poem to a tree for the rest of us to read.
Glenda, where do I start? First of all, I hope the surgery and recover will go smoothly–sending kind thoughts and love your way. Thank you for sharing this with us.
Your poem hits me because it names something we often don’t name: aging is not just a biological process; it is the way we see ourselves, the others see us, and, most scary/scarry, how the others judge us. Your wit and diction made me smile, but underneath it I could feel a kind of an ache. Giving the “thing” a name, “Clarence” or “Madge on the Vag,” maybe a way to tame some fears. The way you write about “pretending all is normal,” about naming what’s changing, about wanting to laugh like Gilda, it all carries so much honesty. I felt that mix of humor and vulnerability, and it moved me deeply.
Glenda, I am a fan of the poetry that draws us in, keeps us aware that we are not alone in this walk – – none of us. Yours does that, courageously sharing the journey with its ups and downs. I, too, have lain on that table end relinquished my lady bits in the strategy of avoiding, and there is much peace of mind there knowing that…..well, there goes the equipment, so at least THAT won’t be what kills me…..as humorously as I can muster. I appreciate the nod to Gilda, rest her soul, and I know you are looking forward to feeling SO much better in the days ahead. You will!!
Your writing always carries so much power, Glenda. But with this deeply personal diatribe on our damn woman bodies . . . it’s elevated even more. Your voice is strong and the details punch the gut while also making me laugh out loud. I loved so much of it, but I love the inventiveness of
I’m so sorry you face this battle, but let’s hope the preventative surgery does its job.
Glenda, thank your for trusting your words and for sharing your journey that is a path many have taken and yet none of us wants to take. I am very sorry that you have to go on this journey and sincerely wish you a speedy, event free recovery where you maintain your sense of humor even without that part. I must admit I like the idea of naming our parts: “Madge the Vag” has me smiling ear to ear.
Glenda, first: I am awed by your poem, how you created this so magnificently out of first words, and how naturally it flows – not to mention all-too-truthfully about anything to do with the ob-gyn experience. Then the Golum, living thing sharing your body, that you imagine delivering it and naming it…that is just searing, with regard to the psyche having to deal with this, but also, I think, a sign of strength. You would own it before it owns you. I hear the cognitive dissonance in “I am both and neither” – whether relating to Gilda (loved her,) the laughter of the wise, the Calvinist Baptist, and finding peace in mental purgatory. I will be thinking of you as you face your surgery. And I will pray.
You show us we can write about the most difficult things in life with honesty and humor. Sending sincere hope for a strong recovery. You long to be like Gilda, but I think being Glenda will serve you well.
Denise, thank you for this invitation – it is a harder challenge than it seems, yet your poem flows effortlessly and powerfully. As humans we should all be saddened by wars and rumors of wars…we desire peace yet we cannot manage to live peaceably with one other. We are the most curious and contentious of all creatures…
I figured I needed a poem with interesting first words if I was to take on this challenge. I am learning, more and more, to use what I have, and that very often, if not always, what I need is already close at hand. And so it was today that I opened my brand-new, yet-unread copy of Theo of Golden to discover the opening poem taken from a brochure. Talk about interesting first words-!
Here we go…
Unto Her, a Child
Ellen’s baby was born on the day after
Christmas, 1915, and no
pill could ease the pain or absorb the shock of having
found that she carried a twin to the one stillborn in
October. Now she lingered, helpless, while a glorious
oceanscape beckoned her on to heavenly peace…
The waves tossed her back.
****
Note: True story. Ellen was her middle name. She was my great-grandmother; the baby, my Grandma Ruby. Lula Ellen nearly died. She was ill for months; my great-grandfather, Francis, cared for my infant grandmother himself, and hired a wet nurse to do the one thing he could not.
Fran,
Your poem is haunting and simultaneously sad and joyful. I can’t imaging me how a twin must feel growing up knowing the sibling died in the womb. That closeness is incomprehensible. The thing about poetry in this space that I hold dear is how it creates closeness amid distance, like I imagine your poem does.
Fran, I am feeling all the feels here with your poem – grief and relief/love being the most prominent. This birth/death scene feels more pronounced with the delivery of twins spread over time and these two reactions stemming from one (much like that twins bring). I’m left with your last lines to ponder today, the gentleness of the wording (soft words like lingered and helpless), the back and flow (waves) of giving and taking. So, so beautiful.
Fran,
As Glenda said, this is haunting and tender—the way you move from that clinical, almost report-like opening into “a glorious oceanscape” and then the sudden reversal of “The waves tossed her back” is just devastating. It feels like grief itself refusing to resolve, refusing to be carried gently away.
And I keep thinking about how carefully you’ve written this restraint—nothing overexplained, just these precise, controlled images that let the emotional weight do its own work. It lingers in that space between the body and the sea, between release and return, and it stays there with me after reading.
Sarah
Fran, I see what you mean about using what you have close at hand. That first poem in Theo of Golden was it! I so love that those very interesting first words inspired this true story, so rich in detail and sadness. I was glad to hear the end of the story. “The waves tossed her back.” And your great grandfather Francis, wow.
This poem and its afterward are beautiful. So simply put, but holding an ocean of love and grief and hope. I am so glad the waves tossed her back…
Fran, your poem today is incredible. I love that you shared the family story and how you paced the details in the opening. The shock is real. I think the end “The waves tossed her back.” is provocative and wants me to know more. Powerful poem!
Fran, I am in awe of your poem today. It is so sad, yet “glorious” and being based on a true story makes your poem even more precious. I reread it three times and will, probably, come back to it. Thank you!
And the poet shares history…beautiful, but harsh. Unbelievable, but great response to today’s challenge.
My grandmother told me the story herself – she probably didn’t know that there was a name for the phenomenon of her twin being stillborn two months before her: delayed interval delivery. It has long fascinated me.
Fran, I see where your name comes from – – what a beautiful poem, even though sad, it is such a testament to love that your grandfather cared so deeply for his family. I can’t wait to read Ellen of Golden – – the sequel to Theo of Golden, which had quite an impact on me. As always, I love your poems of family and heritage. Today is a jewel…..a Ruby!
Denise, your poem inspired the direction of my words today, of the need to not give in to despair, though I’ve not done it as beautifully as you have with the moon almost full of rumble in the heavens–I can hear the bombs dropping here and feel the bombers’ ride into torture as their loads tumble into despair (I imagine that as your feelings while processing what happened too). Thank you for giving us a new way of writing poetry today.
Our willingness to give up so easily
and turn over, pressing snooze again and again,
(I am just as guilty),
answering to no one, answering not to God or
to ourselves, even, lies before us.
Lay me down not to rise is a choice
being offered daily, hourly, secondly–who are we
protecting when we shell ourselves from all that
matters in the world? It is up to us to rise
and rise
and rise again.
*first words taken from Outgoing by Matt Rasmussen (a hell of a poem if you haven’t read it)
Jennifer – so much truth in our willingness to give up so easily. Denial, numbness, being overburdened or overwhelmed – many reasons for it; but rising IS a choice, as is the answering to/accountability you mention. Your poem is seamless – thank you for it.
Jennifer,
My insomnia has a purpose: to read “Outgoing” and to celebrate your words and wisdom while simultaneously mourning the normalcy of life amidst so much suffering our government causes. Too many are “pressing snooze again and again,” while the innocent exist in a hell of our making. Your poem is brilliant and a perfect response to the prompt.
Oh, Jennifer. I can say things are different when living without an alarm clock. I wish this for everyone. I especially feel the rhythm of “daily, hourly, secondly”—it tightens the sense of repetition and choice, like the moment is always already here again. And then that turn into “rise / and rise / and rise again” feels less like instruction and more like a kind of steady breathing back into life.
Sarah
Jennifer, beautifully said. Thank you for the encouragement. I love the line “Lay me down not to rise is a choice” And the rising as those last three lines spill down the page is very powerful. Yes, let us “rise again.”
Jennifer, yes, I love this! “It is up to us to rise / and rise / and rise again.” So, so good! (And thank you for that Matt Rasmussen poem — heartbreaking!)
Yes, thank you, Jennifer. I forgot to mention your first words inspiration. It is a hell of a poem.
Jennifer, your question is the one I ask myself often, maybe not as eloquently as you do–” who are we / protecting when we shell ourselves from all that / matters in the world?” You are right, it is up to us, and until we rise, nothing is going to change.
I think our minds are on the similar plane today, although I wrote silly (like usual), but thought deeply about Denise’s model…the truth of living as we do, as lives are upended because of what our nation does. it’s a lot and I recognized a moment of distraction to be in the #VerseLove community. I must rise. I must rise. I must rise.
Woah, Denise! This was super fun. I am embarrassed to write that I did not know Angela Jackson’s work. And, I love it! I poked around the Poetry Foundation website and enjoyed several of her poems. ‘Angel’ just about knocked me over at my little pre-dawn writing table. Then I read ‘Caregiving.’ Just amazing…beautiful. Thank you for this introduction. I’m charmed!
Your poem … oh, my goodness, your poem. The depth of feeling in it is familiar. I will not give up hope, either. I want so badly to be a helper. Sometimes, I need to remind myself that I can be a helper right here where making sure a kid gets a chance to learn right here is my helping space. I so want to go and hug those mothers far away who have lost their daughters.I cannot imagine the anguish.
I don’t know WHERE the idea for these lines were in my brain this morning. They just popped out from behind cobwebs. The first words are from the last stanza of Angela Jackson’s poem, ‘Angela Jackson’s Gwendolyn Brooks Visits Russia in 1928’
Sorry I’m so wordy this morning!
A new day
she cracks it open with a smile of
youth so round and dewey it’s slippery to my touch
her belly laugh is medicine
so deep and delicious I want to overdose.
have you ever? Never have I ever
And truths to dare
and sittin’ in a tree k-i-s-s-i-n-g