Verselove is a community celebration of poetry in April—an invitation to write, read, and reflect together. You’re welcome to write a poem a day or to come and go as you need. Reading and leaving a brief note—a line you loved, an image that stayed, a feeling a poem stirred—is also a meaningful way to participate. This is a generous, low-pressure space. We’re glad you’re here.
Our Host: Denise Krebs

Denise Krebs lives in Yucca Valley, California, near Joshua Tree National Park. She is busy learning to write habeas corpus petitions and briefs to help immigrant neighbors, campaigning for a new congress person, and stocking the shelves of the best Friends of the Library bookshop in our area. Denise is a retired elementary and TESOL teacher. Her most hopeful and joyful experiences are being with her two grandsons. Being here in April is another experience of hope and joy. She blogs at Dare to Care.
Inspiration
Last year during Verselove, I shared a borrowed rhymes prompt, where we used the last words of another poet. This year, we will incorporate the first words of another poet into our own poems.
When I wrote this prompt, I had been inspired by one of the featured poets at Poetry Foundation– Angela Jackson, a Chicago poet, playwright, and novelist. If you haven’t met Ms. Jackson through her poems, I encourage you to spend some time with her today. Try some of my favorites: Q&A, Epiphany, and Angel. More of Jackson’s poems here.
Process
Choose a poem and write the first word of each line in a column down the side of your page. You can use the first words of a whole poem or just a stanza. You can use one of Jackson’s or choose another poem or stanza from someone else you are reading. Write a free verse poem letting the other poet’s words carry you. You might find that being held to one simple constraint, like having the first word in each line determined, can release more freedom in your poetry. Give it a try.
Denise’s Poem
With first words from “Caregiving” by Angela Jackson
The Day After We Bombed Iran
Before the moon came out
I looked up, lost in thought,
not joyful thinking (the kind
twice as big as my woes).
I was deep in mournful-thinking–
Winding up B-52 bombers.
Jump roping girls in Iran, now dead.
Hauling ass through Juffair, as bombs
stomped the feeling of safety
for people across oceans.
Then the moon appeared
and it was almost full of
rumble in the heavens. A
ride into torture and
then tumbling
down into despair.
And yet,
there are the helpers–
sitting in the mess, serving,
like freedom arriving to
head off the storm.
Wistful and triumphant.
I will not give up hope.
Your Turn
Now, scroll to the comment section below to write your own poem. (This is a public space, so you may choose to use only your first name or initials depending on your privacy preferences.) Not ready? That’s okay. Read the poems already posted for more inspiration. Ponder your own throughout the day. Return later. And, if the prompt does not work for you, that is fine. All writing is welcome. Just write something. Oh, and a note about drafting: Since we are writing in short bursts, we all understand (and even welcome) the typos and partial poems that remind us we are human and that writing is always becoming. If you’d like to invite other teachers to write with us, tell them to subscribe. Also, please be sure to respond to at least three writers.
Denise, thank you for hosting us today with this prompt that welcomes the day with just the canvas I needed to begin. Your lines using words rumble and mess describing the violence carry such stirrings of loss and destruction and grief in such unnecessary acts inspired me to think of the peace I find in writing, I’ve recently begun dabbling in watercolor painting to practice intentional meditative times, and I’m using a poem today by Lauren Camp, former astronomer poet in residence in The Grand Canyon from her collection In Old Sky, entitled Tonight the Sky Breathes.
Pegasus Wins the Derby
wet on dry, vivid
Thunder cracks seep in
and settle in bold strokes
like horse hoof dust
Let wet on wet be
what carries racecloud churnings
night a stardust palette
washing teardrop stains into constellations
Kim,
This feels like a celebration of the Chinese Year of the Horse and an ode to Van Gogh’s Starry Night with the “bold strokes” and “night a stardust palette” as Pegasus kicks up “horse hoof dust” across a milky night sky ensconced on “wet on wet” watercolor paper. It’s a lovely poem.
Denise,
Thank you for hosting and for all you’ve done for this community during Sarah’s sabbatical. I’ve been looking forward to your day. I fell down the rabbit hole reading Angela Jackson’s poetry. You know I love when you call out the regime. You brought recipes today. Love your poem and you.
Naming It
At the gynecologist’s office
we pretend all is normal.
It’s a prelude hokey pokey, a
volta
smoothed by baby steps like
perimenopause—
that portal into
the geezerdizatuon of womanhood
where sexuality is
blotted from our culture
so youth’s glistening skin of
watercolors and white teeth
would shine under the follow-spot
and the inconvenience of sagging
breasts recedes upstage.
It is lived reality,
the female fate,
what the young cannot know.
Then the pop quiz,
the rotting bits & bobbles frayed, worn
between birth & whatever this thing is. I
imagine delivering it. Naming it.
“Should” the moniker be old school?
But I want to to bully it, call it Clarence
or Madge on the Vag.
We share a body—this Golum and I—
to-gather we exist in
the now. I long to be like Gilda.
Whoever can laugh
and know “It’s always something”
had wisdom.
I am both
and neither, the Calvinist
punishment of growing up Baptist.
I am at peace in mental purgatory. Tis
true:
Nothing lasts forever.
Glenda Funk
April 23, 2026
First words from “The Love of Travelers” by Angela Jackson. I know my poem has tense problems but wanted to adhere to the specifics of the prompt.
*On a personal note: A few days ago I learned I’m in the high-risk category for endometrial cancer so will soon undergo a hysterectomy, as have millions of women before me.
Denise, thank you for this invitation – it is a harder challenge than it seems, yet your poem flows effortlessly and powerfully. As humans we should all be saddened by wars and rumors of wars…we desire peace yet we cannot manage to live peaceably with one other. We are the most curious and contentious of all creatures…
I figured I needed a poem with interesting first words if I was to take on this challenge. I am learning, more and more, to use what I have, and that very often, if not always, what I need is already close at hand. And so it was today that I opened my brand-new, yet-unread copy of Theo of Golden to discover the opening poem taken from a brochure. Talk about interesting first words-!
Here we go…
Unto Her, a Child
Ellen’s baby was born on the day after
Christmas, 1915, and no
pill could ease the pain or absorb the shock of having
found that she carried a twin to the one stillborn in
October. Now she lingered, helpless, while a glorious
oceanscape beckoned her on to heavenly peace…
The waves tossed her back.
****
Note: True story. Ellen was her middle name. She was my great-grandmother; the baby, my Grandma Ruby. Lula Ellen nearly died. She was ill for months; my great-grandfather, Francis, cared for my infant grandmother himself, and hired a wet nurse to do the one thing he could not.
Fran,
Your poem is haunting and simultaneously sad and joyful. I can’t imaging me how a twin must feel growing up knowing the sibling died in the womb. That closeness is incomprehensible. The thing about poetry in this space that I hold dear is how it creates closeness amid distance, like I imagine your poem does.
Denise, your poem inspired the direction of my words today, of the need to not give in to despair, though I’ve not done it as beautifully as you have with the moon almost full of rumble in the heavens–I can hear the bombs dropping here and feel the bombers’ ride into torture as their loads tumble into despair (I imagine that as your feelings while processing what happened too). Thank you for giving us a new way of writing poetry today.
Our willingness to give up so easily
and turn over, pressing snooze again and again,
(I am just as guilty),
answering to no one, answering not to God or
to ourselves, even, lies before us.
Lay me down not to rise is a choice
being offered daily, hourly, secondly–who are we
protecting when we shell ourselves from all that
matters in the world? It is up to us to rise
and rise
and rise again.
*first words taken from Outgoing by Matt Rasmussen (a hell of a poem if you haven’t read it)
Jennifer – so much truth in our willingness to give up so easily. Denial, numbness, being overburdened or overwhelmed – many reasons for it; but rising IS a choice, as is the answering to/accountability you mention. Your poem is seamless – thank you for it.
Jennifer,
My insomnia has a purpose: to read “Outgoing” and to celebrate your words and wisdom while simultaneously mourning the normalcy of life amidst so much suffering our government causes. Too many are “pressing snooze again and again,” while the innocent exist in a hell of our making. Your poem is brilliant and a perfect response to the prompt.